First edition of this lecture delivered at the Cercle de France in Paris on 8 January 1958.
Light foxing to the upper cover.
Inscribed and signed by Robert Miocque to his friend Marcel Dollfus at the head of the opening text page.
First edition of this lecture delivered at the Cercle de France in Paris on 8 January 1958.
Light foxing to the upper cover.
Inscribed and signed by Robert Miocque to his friend Marcel Dollfus at the head of the opening text page.
First edition, one of 15 numbered copies on vellum, the only deluxe issue.
Fine and uncommon copy.
First edition, illustrated with photographs by Lucien Clergue.
Publisher’s binding in full boards, smooth spine,
With a text by Jean-Marie Magnan.
Signed autograph inscription by Lucien Clergue to the writer Christiane Baroche: "Pour Christiane ces images de notre éternelle jeunesse ! et avec la bise de Lucien. 5.X.2002."
First edition, with no copies issued on deluxe paper.
A handsome copy.
With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.
First edition, one of the review copies.
Spine partially and lightly sun-faded without consequence, with a small restored nick at the head of the backstrip.
Author's signed presentation inscription from André Malraux to the diplomat and man of letters Pierre de Boisdeffre.
First edition, with no deluxe paper issue.
The covers are faintly and marginally toned; a pleasing copy overall.
Moving and precious presentation copy signed by Jacques Julliard: "Pour Simone Veil à elle qui a été de tous les combats contre ce fascisme qui vient... pour lui dire estime et amitié. Jacques Julliard."
First edition, one of 24 numbered copies on alfa paper, the only deluxe issue.
With sections devoted in particular to Cesare Pavese and Alberto Moravia...
A rare and attractive copy of Dominique Fernandez’s first published work.
First edition of this collection of political speeches.
Full red percaline binding, smooth spine without lettering showing slight rubbing, gilt inscription stamped to the upper cover: "République de Guinée R.D.A. à S.E. Jean Paul Sartre. N°30"; endpapers partly toned, a contemporary presentation binding offered to Jean-Paul Sartre.
Frontispiece photographic portrait bearing the autograph signature of President Ahmed Sékou Touré: Secretary General of the Parti Démocratique de Guinée, Supreme Leader of the Revolution.
First edition of the French translation.
Full flexible bottle-green cloth binding, smooth spine with rubbing, author's name and title gilt-stamped on the upper cover, some surface wear to the boards, wrappers preserved.
Autograph letter dated and signed by Alexis Léger, 26 lines in blue ink, written from Washington to his friend Emily Amram, describing the torments of his convalescence following a "stupid accident".
Folds inherent to mailing.
The poet thanks his friend for her floral attentions during his illness: "combien la présence de vos fleurs m'a aidé contre les mauvaises ombres pendant mes jours de réclusion !" and, much to his regret, must once again postpone the visit he had promised her: "une mauvaise grippe washingtonnienne, qui m'a surpris, déjà fatigué, peu après mon retour chez moi, achevé de me déprimer, et pour ne pas accabler encore l'affectueuse sollicitude de bons amis comme vous et Phil, je n'ai su, écœuré de moi-même, que me condamner au silence et à la solitude."
He intends to banish his dark thoughts by granting himself a stay by the sea in the South: "Je pars demain pour le sud et vais demander au voisinage de la mer la possibilité de me libérer, par la natation; des dernières traces de mon stupide accident."
First edition of the French translation, of which no deluxe copies were printed.
Crease to the upper left corner of the lower cover and the last leaves.
Illustrations.
Precious inscribed copy to Bernard Kouchner: "To my dear friend Bernard always true to his beliefs and a great partner. With deep admiration and affection. Madeleine 15/11/03."
First edition, with no deluxe paper copies issued (except for No. 7) for each volume.
Our complete set comprises:
Céline Notebooks 1: Céline and the Literary Scene 1932–1957.
Céline Notebooks 2: Céline and the Literary Scene 1957–1961.
Céline Notebooks 3: Semmelweis and Other Medical Writings.
Céline Notebooks 4: Letters and Early Writings from Africa 1916–1917.
Céline Notebooks 5: Letters to Female Friends.
Céline Notebooks 6: Letters to Albert Paraz 1947–1957.
Céline Notebooks 7: Céline and Current Events 1933–1961.
Céline Notebooks 8: Progress followed by Works for Stage and Screen.
Illustrations.
Rare complete set.
First edition, of which no deluxe copies were printed.
Pleasing copy.
Inscribed and signed by Valéry Giscard d'Estaing to Michel and Suzanne Blanvart.
First edition, one of 69 numbered copies on pur fil, the only deluxe paper copies.
A very handsome copy.
First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.
Minor rubbing along the joints. A rare and attractive copy.
First edition, no copies printed on deluxe paper.
Pleasing copy.
Signed autograph inscription from Robert Badinter: "Pour Claude Moncorgé, affectueusement, son cousin. Robert."
First edition, illustrated with a frontispiece, in-text illustrations and maps, and a double-page map at the end.
Literary collaboration by Joseph Sachot.
Drawings, cover design and maps by André Millot.
Contemporary binding in green half shagreen with corners, smooth spine without title, marbled paper boards, illustrated wrappers bound in on tabs and preserved.
A compelling account of the life and conditions of Inuit populations: Father Roger Buliard (1909–1978), an Oblate of Mary Immaculate, served for fifteen years as a missionary in the Arctic before joining the Canadian military chaplaincy.
The book was a great success upon publication and inspired many future explorers.
Our copy includes an autograph note signed by Roger Buliard to a friend nicknamed Titi, written on thin paper and dated March 19, 1950.
Also included:
I. Two handwritten postcards addressed to the recipient of the note, along with newspaper clippings.
II. A small oblong 12mo green cloth album with eyelets and ties, containing 29 original silver print photographs, small in format (from 12 x 7 cm to 4 x 4 cm), mounted on heavy paper, depicting the author and various moments from his 1947 expedition.
A delightful ensemble.
Original colour photograph depicting a smiling Jacques Chirac.
Attractive ensemble held together by a paperclip, which has left a discreet mark in the upper left margin of the photograph.
Enclosed are an official letter, its envelope, and a card on which Jacques Chirac, then Prime Minister, wrote in black felt-tip pen the following words: "vous remercie de votre aimable message de félicitations et vous adresse ses sentiments les meilleurs."
Signed by Jacques Chirac in blue ink at the foot of the photograph.
First edition on ordinary paper.
A moving and appealing copy.
Fine signed autograph presentation inscription from Dominique de Roux to his brother: "Pour mon cher Xavier père et maître des circonvolutions de ce récit. Et sans qui la vie n'aurait aucun sens. Affection fraternelle. Dominique."
First edition, one of 45 numbered copies on Vélin du Marais, ours one of 15 lettered copies not for sale, the only copies on deluxe paper.
Attractive copy despite a faint shadow along the margin of the upper cover.
Black and white photographic portrait depicting the Philippine dictator seated at his desk.
Accompanied by an official letter on the headed paper of the Office of the President of the Philippines, together with its envelope.
Manuscript signature of Ferdinand Marcos in black ink.
Provenance: from the collection of renowned autograph collector Claude Armand.
Black-and-white photograph showing a young Melina Mercouri lying in straw and chewing on a blade of it.
A handsome example. Press clippings mounted on the verso.
Signed by Melina Mercouri in blue ink.
Provenance: from the collection of the noted autograph collector Claude Armand.
Black and white portrait photograph showing Tito facing the camera.
A well-preserved example. Included are an envelope bearing the letterhead of the Yugoslav Embassy, a printed card from the same embassy, and a typewritten letter from the Yugoslav Consulate thanking Claude Armand for his request for a photograph of Tito.
Bold blue ink autograph by Tito in the right-hand margin of the photograph.
Provenance: from the collection of noted autograph collector Claude Armand.
First edition, consisting of the facsimile of the author’s autograph manuscript.
Publisher’s binding in full white boards, smooth spine, covers illustrated with drawings by Oscar Niemeyer.
A handsome copy, complete with its illustrated dust jacket showing very minor tears and insignificant losses.
Work illustrated with drawings by Oscar Niemeyer.
Rare presentation copy, dated and signed by Oscar Niemeyer to Georges and Alice (Raillard).
Georges Raillard was an art critic and a close friend of Antoni Tàpies and Joan Miró; his wife Alice translated into French the leading Brazilian authors of the second half of the 20th century, such as Jorge Amado.
First edition.
Publisher’s full white boards, smooth spine.
A fine copy, complete with its illustrated dust jacket bearing very minor, inconsequential tears.
Illustrated with drawings by Oscar Niemeyer.
Rare signed presentation inscription from Oscar Niemeyer to Henri (Raillard).
First trade edition, issued after just 50 deluxe copies.
A pleasant copy illustrated with drawings by the author.
First edition of the French translation, illustrated with 105 plates out of text (including 2 folding tables, 21 plans and maps, and 82 views and reproductions of documents). A remarkable record of one of the most significant instances of international opinion manipulation carried out by China and North Korea in the early stages of the Korean War: as early as 1952, North Korean and Chinese officials (including Zhou Enlai) accused the American army of using "insect vectors" on a large scale to spread various diseases among the populations of Korea and Manchuria (plague, cholera, etc.).
The entire operation had been meticulously staged, as definitively revealed by Soviet documents published in 1998.
Head and tail of spine with some losses, minor stains and marginal tears to the covers, two small holes to the lower edge of the rear board also affecting the rear endpaper, otherwise clean and sound throughout.
Rare.
First UK edition.
Publisher’s binding in full grey cloth, smooth spine, a fine copy complete with the illustrated dust jacket featuring a photographic portrait of the author by Yousuf Karsh.
Illustrated with maps on the endpapers and pastedowns, and 37 photographs.
Extremely rare inscribed copy signed by the last leader of the Soviet Union to a USSR émigré, the journalist Sam Yossman.
First edition of the English translation by Michael Glenny, who first came to prominence with his translation of Bulgakov’s Master and Margarita in 1967. No deluxe paper copies issued.
Publisher’s binding in full black cloth, flat spine which shows some inherent creasing due to the laminated covering.
A handsome copy, with illustrations.
Very rare inscribed copy dated 27 April 1990 and signed by Boris Yeltsin.
From the library of Sam Yossman (Sam Jones) of the BBC Russian Service.
First edition, one of 55 numbered copies printed on Lafuma-Navarre laid paper, the only deluxe copies.
A light halo stain to the upper edges of the front endpaper and half-title, otherwise a pleasing copy.
First edition, one of 125 numbered copies on B.F.K. de Rives, including an additional suite of the illustrations on pure rag paper.
A few minor spots on the covers, a pleasant copy overall.
Two light marginal dampstains on the slipcase, slightly rubbed at the corners.
Signed by Sacha Guitry at the beginning of the first volume.
First edition of the French translation.
Illustrated with photographs by Erica Anderson, with text and captions by Eugène Exman.
Preface by Daniel Halévy.
Pleasing copy complete with its illustrated dust jacket, showing minor losses and angular tears to the spine, along with some marginal scuffing to the panels.
Bookplate affixed to the inside front cover.
Rare dated and signed presentation inscription by Albert Schweitzer on a blank flyleaf: "A monsieur Bernard Tessier en souvenir de son passage à Lambaréné le 1.9.1956, Albert Schweitzer."
First edition, one of 30 numbered copies on alfa paper, the only large paper copies along with a few hors commerce also printed on alfa.
A fine copy of this work dedicated to the memory of Simone Weil: "qui, si elle était morte assassinée, aurait consacré son dernier instant à prier pour ses bourreaux."
Second edition of the French translation, published one year after the original, one of 300 numbered copies on vélin de Renage, the only deluxe paper copies.
A handsome and rare copy.
First edition of the French translation, of which no deluxe copies were issued.
A horizontal crease to the front cover, otherwise a well-preserved copy.
Rare signed presentation inscription from Tom Wolfe to the journalist and literary critic Bernard Pivot: "To Bernard Pivot with a deep bow and profound thanks for such a marvelous evening. Tom Wolfe September, 9, 1988."
Tom Wolfe's masterpiece was splendidly adapted for the screen by Brian De Palma, starring Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.
First edition, one of 50 copies printed on pur fil du Marais, the only deluxe copies along with a few not-for-sale copies.
A handsome copy.
First edition, one of 60 numbered copies on alfa paper, the only deluxe copies after 28 on pur fil.
A handsome copy.
First edition, one of 90 numbered copies on alfal paper, the only copies on deluxe paper.
Fine copy, complete with the loose and folding map.
First edition, one of 30 numbered copies on Pur Fil du Marais, the only deluxe copies, alongside a few hors commerce also printed on Pur Fil du Marais.
A handsome and scarce copy of this anti-Gaullist pamphlet.
Original photo - Christopher Street Liberation Day March, New York - "The Kiss, Judy Bowen and Philip Raia""On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)
First edition of the French translation, for which no deluxe paper was printed.
A pleasant copy.
We include the second volume, covering the period 1979-1994, published in 2005.
Rare handwritten signature of Alexandre Solzhenitsyn on the title page.
First edition in French, one of 1,000 numbered copies on Annonay rag paper, the only deluxe paper copies.
Illustrated with numerous photographs. Preface by Maurice Herzog. Foreword by the Duke of Edinburgh.
Publisher’s full flexible boards binding. Lacking slipcase, spine sunned with minor tears at head and foot.
Rare and handsome autograph inscription, dated and signed by General John Hunt: "A M. Robert Moch vous témoignant notre reconnaissance de nous avoir préparé la trace jusqu'au sommet du signal de l'Iséran le 3 janvier - et pour vous exprimer nos regrets de ne pas l'avoir suivie ! John Hunt 7/1/54."
This copy is further enhanced with the handwritten signature of Edmund Hillary beneath the inscription.
New edition, with mention of the print run.
Illustrated.
Two losses to the spine; complete with its illustrated dust jacket, which shows small chips and angular tears. One gathering poorly opened with minor marginal losses not affecting the text.
Bookplate affixed to the verso of the front cover.
Rare signed presentation inscription by Albert Schweitzer: "A monsieur et madame André Fontan en souvenir de leur passage à Lambarené le 2.6.1963, avec mes bonnes pensées. Albert Schweitzer."
Autograph letter, dated and signed, addressed to Thierry Maulnier: 16 lines written in violet ink on a sheet bearing the letterhead of Éditions Charlot in Paris, concerning his book "La vallée heureuse".
"Paris le 24 dec.46,
Mon cher Thierry Maulnier,
c'est bien de la guerre industrielle qu'il s'agit dans la Vallée heureuse et vous l'avez parfaitement compris. Je m'en console en lisant Blaise de Montluc qui se plaignait déjà de l'invention de l'arquebuse, l'innocent ! Merci de tout coeur de ce que vous avez écrit dans Concorde. J'en suis profondément touché, et surtout heureux que mon livre ait établi le contact entre nous. Je veillerai à ce qu'il ne s erompe pas. Croyez-moi, cher Thierry Maulnier, bien affectueusement à vous. Jules Roy."
Fierce autograph letter signed, addressed to Jacques Chardonne—though not named—comprising 30 lines in black ink on letterhead of the journal Le Nouveau Fémina, concerning cultural life and current political affairs.
Folding marks inherent to mailing, a black ink stain not affecting the text, and two small holes: the first causing the loss of one letter—the second "e" in Hecquet; the second resulting in the loss of the word "il".
"Les dernières lettres sont épatantes. Et courtes, comme il fallait pour ne pas trop s'éloigner du drame. Les oeuvres complètes de Léon Blum vont paraître chez Albin Michel. On va voir. Anatole de Monzie, homme d'une très belle intelligence n'a rien écrit de fameux. Aujourd'hui, le moins ignare s'appelle Ramadier (Paul Ramadier, several times a minister after the Liberation) Il n'a pas été réélu. C'est un franc-maçon acharné. Mendès-France est un marchand de cravates me dit Stephen Hecqu[e]t. [Il] faut supprimer son nom de ma dernière lettre (celle qui est si longue, où je parle des hommes politiques susceptibles d'écrire). A bientôt. Roger Nimier."
First text: first edition, with no copies issued on deluxe paper; second text: first edition in part.
Publisher's full grey cloth binding, flat spine, complete with the original dust jacket.
Illustrated with photographs by Tony Armstrong-Jones.
A small stain to the lower part of the front endpaper, otherwise a pleasing copy.
Inscribed and signed by Paul Morand: "A maître Chérier, ce tunnel sous la manche, très fidèlement Morand."
First edition, with no copies printed on deluxe paper.
A pleasant copy.
On the half-title page, autograph inscription signed by Jean-Claude Carrière to the writer, essayist, and pianist Catherine David: "... qui m'ouvrît avec grâce la lourde porte du temps, je m'incline sur son passage avec amitié."
On the front endpaper, autograph inscription signed by Umberto Eco to the same recipient.
First edition, one of 15 copies on Japan paper, the deluxe issue.
Minor foxing to the edges of the covers, otherwise a desirable and uncommon copy with all edges uncut.
First edition, with no deluxe copies printed on special paper.
A handsome copy.
Inscribed and signed by Pierre Bourdieu to a friend named Emmanuel.
First edition illustrated with photographic portraits.
Fragile dust jacket preserved, our copy is also complete with its soft red shagreen slipcase.
Autograph note dated and signed by Jules Romains, one page addressed to Thierry Maulnier regarding his production project of Knock (11 lines in blue ink on a card with the letterhead of his Paris address on rue de Solférino).
Lower left corner bears a printed stamp: "Fonds archives privées Th Maulnier".
Autograph letter dated and signed by Jean Hélion addressed to Raymond Queneau, 41 lines (four pages on two leaves) written in black ink.
Jean Hélion cannot respond favorably to an invitation extended by his friend Raymond Queneau, partly due to his homebody nature: "J'ai pris l'habitude de rester chez nous, le samedi après-midi : à l'atelier jusqu'à 5 heures et là-haut jusqu'à l'heure du dîner pour y recevoit toutes sortes de jeunes gens que je n'ai pas le temps de voir un par un... Mais j'aimerais davantage vous montrer à vous seul, un peu tranquille et à n'importe quelle heure. Ne passez-vous jamais de ce côté ?" ("I have gotten into the habit of staying at home on Saturday afternoons: at the studio until 5 o'clock and upstairs until dinner time to receive all sorts of young people whom I don't have time to see one by one... But I would prefer to show you alone, a bit quietly and at any time. Don't you ever come by this way?")
He worries about the political path of one of their mutual friends, the pacifist militant Garry Davis who created in 1948 the World Citizens movement and in 1954 the World Service Authority organization: "Je m'occupe encore de ce bon Garry Davis, qui s'engage maintenant dans la non-violence, mais d'une façon qui pourrait être violente... Breton a tapé dessus comme sur des cymbales. Mais moi, par amitié, autant que pour une confiance dans sa force instinctive, je l'aiderai tant que possible... Il veut encore consulter ses amis, et il en a grand besoin. Camus, Mounier, Altman, l'abbé Pierre et quelques autres lui sont demeurés dévoués." ("I'm still taking care of that good Garry Davis, who is now engaging in non-violence, but in a way that could be violent... Breton struck out at him like cymbals. But I, out of friendship, as much as for confidence in his instinctive strength, will help him as much as possible... He still wants to consult his friends, and he has great need of it. Camus, Mounier, Altman, Abbé Pierre and some others have remained devoted to him.")
Autograph letter signed by Charles de Gaulle, dated and addressed to his cook Augustine Bastide, who served him from 1940 to 1958, 13 lines in black ink on his headed paper.
Fold marks inherent to postal handling.
The de Gaulles had taken in the recipient of this letter, Augustine Bastide, upon their arrival in London. Of Provençal origin, she served the family from 1940 to 1958 first in Great Britain then in France. At the de Gaulle couple's table in an England severely affected by rationing, one could then find rabbits, winkles, and other frogs. The "outspoken Southerner" would remain in the general's service for nearly twenty years, sometimes causing hilarity in the stoic head of state:
« En 1946, alors qu'il venait de quitter le pouvoir volontairement, il lui a lancé : "Vous voyez Augustine, la politique c'est plus décevant que le travail aux fourneaux". Alors, les mains aux hanches, elle a rétorqué : "Mais général, pourquoi ne vous décidez-vous donc pas à rendre définitivement votre tablier ?" Mon père n'a pu se retenir de rire » ("In 1946, when he had just voluntarily left power, he said to her: 'You see Augustine, politics is more disappointing than working at the stove'. Then, hands on her hips, she retorted: 'But General, why don't you decide to hang up your apron for good?' My father couldn't help but laugh")
(Philippe de Gaulle, De Gaulle mon père)
Autograph letter dated and signed by Charles de Gaulle, addressed to his cook Augustine Bastide, who served him from 1940 to 1958. 21 lines in black ink on his headed paper.
Fold mark inherent to postal folding, minor tears of no consequence at the left and right margins of the central fold.
General de Gaulle thanks her : "I was very touched by the birthday wishes you thought to send me...". He shares the same considerations as his correspondent concerning the role that France must embody on the political level : "You know that, on this matter, my feelings are yours and that, despite the powerlessness and baseness of the present, I do not despair of the future."
The de Gaulles had taken in the recipient of this letter, Augustine Bastide, upon their arrival in London. Of Provençal origin she served the family from 1940 to 1958 first in Great Britain then in France. At the table of the de Gaulle couple in an England severely affected by rationing, one could then find rabbits, periwinkles, and other frogs. The "outspoken Southerner" would remain in the general's service for nearly twenty years, sometimes provoking hilarity from the stoic head of state :
In 1946, when he had just voluntarily left power, he said to her : "You see Augustine, politics is more disappointing than working at the stoves." Then, hands on her hips, she retorted : "But general, why don't you decide to hang up your apron for good ?" My father could not help but laugh (Philippe de Gaulle, De Gaulle mon père)
First edition, one of 35 numbered copies on deluxe paper, the only deluxe copies.
Rare and handsome copy.