La Vie errante suivi de Une autre époque de l'écriture[The Wandering Life, followed by Another Age of Writing]
Handsome copy complete with its dust jacket.
Signed autograph inscription from Yves Bonnefoy to Henri Zerner.

They are the sign of a desire, of a trust in the recipient, they lay bare the individual behind the writer, a final trace of the writing hand on the finished work - intimately subjected to the particular gaze of a close friend, a peer or an influential critic.
First edition of the French translation, for which no deluxe paper was printed.
A pleasant copy.
We include the second volume, covering the period 1979-1994, published in 2005.
Rare handwritten signature of Alexandre Solzhenitsyn on the title page.
Ink and watercolour portrait of the poet Paul Verlaine by his friend Marie Crance, bearing the artist's signature and the handwritten caption “Paul Verlaine à l'hôpital”.
A single sheet, presented in a frame with a mount. An inscription on the back of the frame—“written in the margin (by the framer): ‘For Messrs. Thénot and Lercey, 25 April 1894’”—provides a likely terminus post quem for the drawing.
Marie Crance (1860–1945), nicknamed Marie-aux-fleurs, was at the time the companion of the illustrator Frédéric-Auguste Cazals, whom she married in 1912. A laundress, maid, and occasional singer in the poet’s favourite
First edition for which was no grand papier (deluxe) copy.
Pleasant copy of this work which received the Prix Fémina in 1984.
Rare and precious handwritten inscripttion, dated and signed by Tchicaya U Tam'si to Régine Deforges: “Pour Régine Deforges qui a écrit quelques mots que j'aurais voulu mettre en guise de dédicace mais ma mémoire est moins fidèle que moi. à elle toute la poésie de ce 'roman'.” (“For Régine Deforges who wrote some words that I would have liked to include as a dedication but my memory is less faithful than me. To her, all the poetry of this 'novel'.”)
Provenance: from the library of Régine Defor
First edition of the theatrical adaptation.
Bound in half red shagreen, spine in four compartments set with gilt stipples adorned with double gilt spine panels, marbled paper plates, marbled endpapers, contemporary binding.
Precious handwritten presentation signed by George Sand: “à monsieur Huart en lui demandant pardon de tout le mal que je lui donne.” “To Mr Huart asking for his forgiveness for all the harm I am causing him.”
Provenance: from the Grandsire library with its ex-libris.
First edition, one of 230 numbered copies on Auvergne paper, ours one of 75 not-for-sale copies, the only printing after 10 copies on China and a few hors commerce copies; this copy specially printed for René Daumal.
Frontispiece illustrated with an original lithograph by Étienne Cournault.
Very faint, insignificant foxing to the margins of the covers.
A handsome copy complete with its original wraparound band.
Exceptional and superb signed autograph inscription dated 27 December 1936 from René Daumal to his future partner Véra Milanova : « à Véra Milanova – à toi Véra, d'abord ces anciens mensonges (que je n'ai pu nourrir qu
First edition on ordinary paper.
Publisher’s full cloth binding, flat spine, minor inconsequential wear to headcaps and corners.
Illustrations.
Rare and valuable presentation copy to Odette and Francis Ponge.
First edition, one of the 90 numbered copies on pur fil Lafuma, deluxe copies ("tirage de tête").
Nice copy.
Signed handwritten inscription by Jean Anouilh to Robert Delaroche-Vernet.
First edition of this work published in Toulouse, cradle of aeronautics.
Precious and rare signed autograph inscription by Clément Ader to René Fonck, « l'As des As » of French aviation, who achieved the highest number of aerial victories during the First World War: « à monsieur René Fonck membre du Comité de Direction de l'Aéro-Club. En souvenir du 2 mars reconnaissant hommage. »
This remarkable dedication was most likely written on 2 March 1922 on the occasion of a banquet held by the Aéro-Club de France at the Palais d'Orsay, celebrating the award of the Commander's insignia of the Légion d'honneur to Clément Ade
First edition for which no grand papier (deluxe) copies were printed.
Small marginal pieces missing at the top of the first board, a clear remnant of adhesive paper at the bottom of the first endpaper.
Copy complete with the facsimile at the end of the volume.
Precious handwritten inscription signed by Gabriele d'Annunzio to Natalie Clifford Barney: « à miss Barney et au Temple de l'Amitié attentive, cette légère torpille ‘sine litteris' est offerte par la ‘tête d'ivoire'. Gabriele d'Annunzio » (“To Miss Barney and the attentive Temple of Friendship, this light ‘sine litteris' torpedo is offered by the ‘ivory head'. Gabriele
First edition, one of the publisher’s press copies.
Some light spotting to the boards and spine.
Exceptional signed autograph inscription from Raymond Queneau to his very close friend and biographer Jean Queval, himself a leading figure and co-founder of Oulipo.
This dedication is followed by a second one — in English and heavily corrected — by Jean Queval: "To the [?], in friendship. NB. I smoke no more. This is a rather nice book, one on which I worked. There's also Beowulf. There is a university in Limoges. Untest uncheck ! Nan is none too well."
First edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Bradel binding, spine slightly faded with a small spot to head, small stains on the covers, covers and spine preserved,
Contemporary binding signed by M.P. Trémois.
Exceptional and handsome autograph inscription signed by André Breton to Man Ray: “à Man Ray, dans la lumière qu'il a recréée, de tout cœur. André Breton” (“To Man Ray, in the light that he recreated, with all my heart. André Breton”)
First edition, printed on vélin d'Angoulême paper, with the usual misprints and including the six condemned poems, one of the few copies given to the author and “intended for friends who do not deliver literary services”.
Full emerald morocco binding, signed by Marius Michel, original wrappers preserved.
Exception
First edition, one of 30 numbered copies on pur fil paper, this copy one of 10 hors commerce, the only grand papier (deluxe) copies.
A nice copy despite the very slightly sunned spine.
Autograph inscription dated and signed by Marguerite Yourcenar to Maurice Bourdel, director of publishing house Plon, and his wife : "... cette Electre perdue dans "un monde où l'ordre n'est pas"
Remarkable autograph letter signed by Charles Baudelaire to Auguste Poulet-Malassis, publisher of Les Fleurs du Mal, dated 28 February 1859 and written in Honfleur. 64 lines in black ink, some passages underlined, housed in a modern black half-morocco folder.
Baudelaire appears preoccupied with the “ Sainte-Beuve/Babou affair,” one of the many controversies following the Fleurs du Mal trial, in which the writer Hippolyte Babou accused Sainte-Beuve of failing to defend Baudelaire during the proceedings.
Excerpts from this letter were quoted by Marcel Proust in his celebrated Contre Sainte-Beuve, where he lamented Sa
Exceptionally rare autograph satirical poem by Louis Aragon, entitled Distiques pour une Carmagnole de la Honte, written between September 1944 and February 1945. 26 lines penned in black ink on a single leaf, with a note from the author in blue ink at the foot of the page.
Our manuscript belongs to a group of thirteen poems composed during the first half of 1945, intended for publication in a poetry anthology (Aragon, published by Pierre Seghers in Paris, Collection “Poètes d’aujourd’hui” no. 2, 20 July 1945). It was sent by Aragon as a working copy to his editor and friend Claude Roy. This autograph poem is the only known man