First Editions on Wove Paper

First edition, one of 47 copies with large margins numbered on vellum, ours one of 20 enriched with a page of the manuscript of the book , only large papers.
Very nice copy.

First edition, one of 500 numbered copies on tinted vellum, single edition with 25 Japan.
Bradel binding in full glazed Havana calfskin, smooth back decorated with a central monogram (A in the Q) and a golden floral pattern, tiny traces of friction without gravity, a black spot at the foot of a bit, date in the tail, golden casters on the caps, repetition of the same golden monogram at the head of the first board, small spots without gravity on the boards, golden nets on the cuts, double framing of golden lace on the guards and the paper counterplates in the tank , fragile double wrappers preserved and bound in, golden edges, ex-libris pasted on the back of the first cover, elegant Contemporary binding.
Autograph signed by Hugues Le Roux to his publisher A. Quantin on the false title page.
Illustrated book of 5 engravings by Paul Avril including 1 in frontispiece.
Shaded false title page, otherwise good interior condition.
Pleasant copy established in an elegant Contemporary binding.
Provenance: library of A. Quantin with his engraved ex-libris.

First edition, one of 100 numbered copies and initialed by the author on vellum from the Marais , head print.
Back and boards slightly and marginally passed, pleasant interior condition.
autograph dedication of the author of Tristan Klingsor to Véronique Kovac.

First edition, one of 50 numbered copies on Rives paper for each volume, deluxe printing.
Illustrations by Bécan, Charlet, Pavis, Pedro and Roger Roy, Carb, Rafer, Bib, Gus Bofa, Don, Ferjac.
Index and tables at the end.
Copies in mint condition for this trilogy.

First edition of the French translation, one of 56 numbered copies on pur fil paper, the only deluxe copies.
Spine and boards slightly and marginally faded, otherwise a handsome copy.

First edition, one of 40 numbered copies on pure rag paper, deluxe copies.
A very fine copy.

First edition, one of 25 numbered copies on pure rag paper, the only deluxe copies.
A very handsome copy.

First edition, one of 25 numbered copies on pure linen paper, deluxe issue.
A very handsome copy.

First edition, one of 90 numbered copies on pure linen paper, the only deluxe copies after 20 Holland.
Fine copy.

First edition, one of 212 numbered copies on pur fil, deluxe copy.
Spine very lightly sunned as usual, handsome full-margined copy.

First edition, one of 1500 numbered copies on vellum, single print with 10 Chinese and 15 rod of Arches paper.
Binding in half shagreen red leather, back with five nerves, date in tail, preserved covers, golden head.
Beautiful autograph dedication of the author from Jean Royère to A. Godoy evoking Charles Baudelaire, beautiful copy.

First edition, one of 21 numbered copies on pure Lana rag paper, ours unnumbered, the only deluxe copies.
Copy in mint condition.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe issue.
Our copy is presented in chemise and slipcase of vellum-style boards, marbled paper covers.
Fine copy.

First edition, one of 35 numbered copies on pure Arches laid paper, deluxe issue.
Iconography.
Light crease without significance to front cover, handsome copy.

First edition, one of 26 numbered copies on Marais vellum, the only deluxe copies.
Handsome copy.

First edition, one of 230 numbered copies on white wove paper, ours one of 30 out of trade, only large papers.
Autograph signed by André Salmon to René Jouglet.
Book illustrated with a frontispiece and Savignac bands.
Beautiful copy.

First edition, one of 262 numbered copies on "pur-fil" paper including a page of the manuscript of the book .
Pleasant copy wide-margined very complete of its genealogical table leaflet in fine.

First edition, one of 77 numbered copies on "pur-fil" paper, head print after 35 Holland paper.
Beautiful and rare copy wide-margined.

First edition, one of 115 numbered copies on "pur-fil" paper, only deluxe copies ("grand papier") after 43 Holland paper.
Beautiful copy.

First edition, one of 65 numbered copies on wove paper, the only deluxe copies.
A handsome copy.

First edition, one of 28 copies on wove paper, ours unnumbered, deluxe copy.
A handsome copy despite a small angular tear repaired on the rear cover.

First edition in French, one of 40 numbered copies on pure thread paper, the only deluxe copies with 5 Japan and 20 Holland. With a frontispiece photographic portrait of the author.
A handsome and rare full-margined copy.

First edition of the French translation, one of 792 numbered copies on pur fil paper, the only deluxe copies with 108 reimposed.
Worming affecting the very first and very last pages.

First edition, one of 200 numbered copies on Johannot paper, deluxe issue.
Iconography, handsome copy.
Press cuttings included.

First edition in French, one of 325 numbered copies on Artois vellum, the only deluxe copies.
Handsome copy.

First edition, one of 65 numbered copies on pur fil, ours one of the 5 hors commerce copies, the only deluxe copies.
Handsome copy.

First edition, one of the rare numbered copies on pure linen paper, the print run is not specified, there is no mention of other deluxe copies.
Covers very lightly and marginally sunned without consequence, handsome copy.

First edition, one of 50 numbered copies on pur fil paper, the only deluxe copies.
An angular fold mark at the head of the second cover, handsome copy.

First edition, one of the numbered copies on laid paper.
Copy in original wrappers, the justification page at the end has been neatly removed, endpapers very lightly and partially shaded.

First edition, one of 105 numbered copies on Marais vellum.
Handsome copy.

First edition, one of 20 numbered copies on pure rag paper, the only deluxe copies.
A handsome copy.

First edition, one of 100 of the "Good Sheets" under numbered cream cover on beautiful paper, only large papers with 59 "pur-fil" paper.
Autograph dedication signed by Claude Mauriac to Maurice Noël at the foot of the first board.
Tiny marginal bites at the bottom of the first board, a small trace of angular bending at the bottom of the second board, pleasant interior condition.

First edition, one of 8 numbered copies on Lafuma paper, deluxe copy.
Handsome copy.

First edition, one of 175 numbered copies on pur fil paper, the only deluxe copies after 21 Japan and 55 Holland.
With a frontispiece portrait of the author by Brauquier.
Light foxing to spine, otherwise a handsome copy.

First edition, one of 70 numbered copies on Marais laid paper, deluxe issue.
Preface by Henri Martineau and Jean Fabre.
A small repaired tear at head of one joint, otherwise a handsome copy.

First edition, one of 15 numbered copies on Marais vellum, the only deluxe copies.
A handsome copy.

Edition with some parts in first edition, one of 925 numbered copies on satin vellum.
A small stain at the foot of the second cover, handsome copy.

First edition, one of the copies printed on laid paper.
A slight tear without loss at head of spine, minimal foxing to endpapers, otherwise a handsome copy.

First edition, one of 60 numbered copies on pure thread paper, after only 10 Japan and 20 Holland.
Clear marginal and harmless traces of adhesive paper on endpapers, some tears on certain deckled edges.
A full-margined copy.

First edition, one of 53 numbered copies on "pur-fil" paper, head print after only 18 Japan.
Autograph signature of the author upon justification of the print.
Clear marginal traces and without gravity of adhesive paper on the guards, small angular tears without consequence at the foot of the first board, pleasant copy at all margins.

First edition, one of 500 numbered copies on vellum, only large papers.
Pleasant copy.

First edition, one of 60 numbered copies on "pur-fil" paper, only large papers.
Very nice copy.

First edition, one of 1800 numbered copies on pure laid paper.
Handsome copy with full margins.

First edition, one of 106 numbered copies on pure Lafuma thread paper, the only deluxe copies after the 92 copies on selected bouffant paper reserved for Editions de Minuit.
Handsome copy complete with publisher's slip.

First edition, one of 25 numbered copies on vellum paper, deluxe issue.
Handsome copy.

First edition, one of 320 numbered copies on Annonay vellum, the only large papers with 50 Holland paper coins.
Beautiful copy.

First edition, one of 47 numbered copies on "pur-fil" paper, only large papers with 33 Holland paper.
Beautiful copy.

First edition, one of 100 numbered copies on pure Lana rag paper, the only deluxe copies.
Handsome copy.

First edition, one of 90 numbered copies on "pur-fil" paper, only large papers with 16 Holland paper.
Very nice copy.

First edition, one of 70 numbered copies on pur fil paper, the only deluxe copies.
Handsome copy.

First edition, one of 20 numbered copies on pur fil paper, the only deluxe copies along with 10 on Holland paper.
Presentation by Anatole Jakovsky followed by 7 unpublished letters by the author.
Handsome copy.

First edition for each of the volumes with print runs varying from 297 to 1,250 numbered copies on pure thread paper, the only deluxe copies along with the reimposed copies.
Spines and front covers of volumes 4 and 6 partially sunned, one endpaper foxed, otherwise handsome set.

First edition, one of 43 numbered copies on pure thread paper, the only deluxe copies.
Handsome copy.

First edition, one of 43 numbered copies on pure thread paper, deluxe issue.
Handsome copy despite a light shadow at the head of the first endpaper.

First edition, one of the rare numbered copies on pur fil, the only deluxe copies.
Other contributions by Pierre Jean Jouve "Récitatif", Léon-Paul Fargue on Paul Claudel, Alain "Entretien chez le sculpteur", Vladimir Nabokov "Pouchkine", Egyptian texts by Jean-Claude Mardrus...
Spine and boards slightly faded.

First edition, one of 339 numbered copies on "pur-fil" paper, only deluxe copies ("grand papier") after 1 China and 39 laid "pur-fil" paper reimposed.
Very nice copy.
Half morocco binding.

First edition, one of 650 numbered copies on vellum.
Our copy is complete with its facsimile of a manuscript page.
Work illustrated with a photographic portrait of the author as frontispiece.
Minor tears of no consequence at head and foot of spine.

First edition published in honor of Isaac Merritt Singer and printed in 80 numbered copies on Holland paper, head print after 30 Japan.
Book decorated with 8 original serigraphs by Cozette de Charmoy.
The translation into English of Jean-Loup Philippe's seven poems is located at the end of the volume.
Beautiful copy.
Handwritten signatures of Jean-Loup Philippe and Cozette de Charmoy at the justification of the print.

First edition in French, one of 60 numbered copies on pur fil paper, the only deluxe copies.
A handsome copy.

First edition, one of 31 numbered copies on Holland van Gelder laid paper, deluxe copy.
Half camel morocco binding with bands, smooth spine decorated with two series of quintuple red and gilt fillets continuing onto the paste paper boards, orange paper endpapers and pastedowns, covers and spine preserved, top edge gilt retaining deckled edges, binding signed by Devauchelle.
A very handsome copy.

First edition, one of 1100 numbered copies on Spécial Téka paper, the only printing with 50 on Arches vellum.
Handsome copy.

First edition, one of 100 numbered copies on Arches paper, deluxe issue after 12 on offset and 45 on Mélusine paper.
Illustrations by Rodolphe Töpffer.
Handsome copy.

Original illustrated edition of 6 original etchings (including 1 in color) by André Beauduin, one of 82 numbered copies on Johannot wove paper, only print after 18 on handmade paper and 14 out of trade including 10 Johannot wove paper.
Beautiful copy.
Handwritten signatures of Georges Hugnet and André Beauduin below the justification of the print.

First edition, one of 60 numbered copies on pur fil paper.
Light foxing to the front cover and first leaves.

First edition, one of 1000 numbered copies on bouffant paper, the only issue with 20 on pure linen.
Handsome copy.

First edition, one of 58 numbered copies on Arches vellum, the only deluxe copies.
Iconography, preface by Dr Ferdière.
A very handsome copy.

First edition, one of 800 numbered copies on Rives vellum, the only deluxe copies after 50 on Japan paper.
Handsome copy.
Beautiful illustrated Africanist cover.

First edition, one of 30 numbered copies on Corvol l'orgueilleux paper, the only deluxe copies.
Handsome copy.

First edition of this piece in three acts, one of 13 numbered copies on "pur-fil" paper, only large papers.
We attach an autograph letter signed by the author of a page thanking his correspondent for the support he gave him through his press articles and his radio interventions.
Pleasant complete copy of his prayer to insert.

First edition, one of 34 numbered copies on pur fil, the only deluxe copies.
Very fine copy.

First edition, one of 120 numbered copies on pur fil, ours one of 20 hors commerce copies, the only deluxe copies.
Spine very slightly faded without consequence, a shadow left by the justification bookmark on the first page of text, otherwise a handsome copy.

First edition in French, one of 77 numbered copies on Lana vellum, the only deluxe copies.
Handsome copy.

First edition, one of 5 numbered copies on pure linen paper, deluxe copy.
Fine and rare copy.

Edition with most parts in first edition, one of 50 numbered copies on pur fil, the only deluxe copies.
A fine copy.

First edition, one of 60 numbered copies on Arches paper, head print.
Illustrated book of drawings by Jean-Robert Ipoustéguy.
Pleasant copy.
Our copy, like all the copies of the head print, is very complete with the original drypoint by Jean-Robert Ipoustéguy which he justified and signed in pencil.

First edition on current paper, one of 1450 numbered copies on Djebel vellum.
Pleasant copy.
Autograph signed by René Char to Marcel Arland.

First edition, one of 500 copies of the ordinary drawing.
Some foxinges.
Autograph dedication signed by René Char: "Copy of Francis. His brother. René Char. 211, rue de la Convention. Paris 15th."

First edition, one of 45 numbered copies on white vellum, deluxe copy.
Fine copy with full margins.

First edition, one of 20 numbered copies on cream vellum, the only deluxe copies.
A handsome and rare copy.

First edition, one of 270 numbered copies on pur fil, the only deluxe copies after 40 Arches.
Handsome copy.

First edition, one of 108 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 100 numbered copies on pur fil paper, after 17 on Japan and 40 on Holland paper.
A significant shadow affects pages 24-25, otherwise a handsome copy.

First edition, one of 25 numbered copies on vellum, only large papers.
Beautiful copy despite two small spots at the bottom of the first board.
Autograph dated and signed by Yasmina Reza to a friend named Ion: "To you, my dear Ion, this copy on vellum N ° IV, for your twentieth birthday! I invite you and your friend Strinberg to snuggle up against me so that we can laugh, laugh, as we like. "

First edition of the French translation, one of 50 numbered copies on vellum offset paper, the only deluxe copies.
Very handsome copy.
Cover illustrated by Max Ernst reproduced as frontispiece.

First edition of the French translation, one of 30 numbered copies on pure Marais paper, the only deluxe copies.
Very fine copy.

First edition, one of 30 numbered copies on pur fil du Marais paper, the only deluxe copies with a few hors commerce copies on the same paper.
Preface by Georges Limbour, work illustrated with 8 hors-texte drawings by André Masson.
Handsome copy.

First edition, one of 58 numbered copies on handmade paper, deluxe copy.
Half red morocco binding, spine with four raised bands decorated with fillets and black compartments embellished with black geometric motifs, one joint slightly cracked at foot, marbled paper effect boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding.

First Edition printed 200 copies numbered on white vellum.
Publisher's binding in full ivory cardboard vellum, back with four nerves set with black threads, framing of double black nets on the boards.
Rare foxinges without gravity.
Beautiful copy established in its binding of the publisher.
Handwritten signature of Henry Monnier to the justification of the draw.