Handsome copy despite the spine very slightly discolored.
Wove paper, invented by James Whatman for the English publisher John Baskerville, is distinguishable by the absence of chain and wire lines in its overall finish.
It earned its French name “papier vélin” for its similar appearance to the ancient vellum skin that preceded the invention of paper. Over the centuries, some very rare copies were still printed on vellum calfskin, as a special order for distinguished patrons.
Smooth and satiny, generally perfectly white, wove paper is homogeneous, without grain or texture. The reader appreciates its clarity rather than its innate beauty. The frequently attached term "Pur fil", means "abundant" (but rarely an exclusive composition) in linen and hemp, like the rag papers of yesteryear. Its supple feel invites insatiable reading and is ideal for the discovery of unknown texts and new authors.
First edition illustrated with 15 original copperplate engravings, including 10 in color, by Maurice de Vlaminck, one of 250 numbered copies on Arches laid paper.
The work is also illustrated with 2 portraits by Amedeo Modigliani depicting Maurice de Vlaminck and his wife.
Full Empire green morocco binding, spine with two prominent raised bands extending as triangles in blind on the covers, spine decorated with three gilt lozenges with gilt title and separated by a transverse gilt bar, marbled paper endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, top edge gilt, Empire green morocco-edged slipcase, marbled paper boards, contemporary binding signed by the workshops of C. Muller, Nancy bookbinder.
Manuscript signature by Maurice de Vlaminck in pencil below his frontispiece portrait.
Spine slightly darkened, otherwise a handsome copy.