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Gallimard (1911 - )
Activity started1911
LanguageFrench
NationalityFrance
Fondées en 1911 par Gaston Gallimard, André Gide et Jean Schlumberger, les Editions de la Nouvelle revue française prirent en juillet 1919 le nom de Librairie Gallimard.
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Other Names
Bibliothèque de La Pléiade
Collection Métamorphoses
Editions de la Nouvelle Revue Française
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First edition, one of 750 numbered copies on pure laid paper, the only deluxe copies along with 109 recomposed copies. Endpapers lightly and marginally aged, handsome copy.
First edition, one of the numbered copies on alfa paper, the only printing with 25 Holland and 60 pure thread copies. Inscribed by André Frénaud. Spine very lightly sunned, otherwise a handsome copy complete with its publisher's wraparound band.
First edition on ordinary paper. Warm autograph inscription from the author. Spine sunned, two small pink stains on front cover, handsome interior condition.
First edition, a Service de Presse (advance) copy. Numerous contributions including those by J. Gracq, R. Queneau, O. Paz, P. Soupault, G. Ribemont-Dessaignes, R. Caillois, A. Masson, Matta, M. Blanchot... Iconography by M. Ray, W. Lam, A. Jouffroy... A small tear at the foot of one joint.
First edition, a Service de Presse (advance) copy. Numerous contributions including those by J. Audiberti with unpublished texts, C. Bryen, A. Dhôtel, Etiemble, P. Morand, A. Pieyre de Mandiargues... Spine sunned with small stains, handsome interior condition.
First edition, one of the numbered copies on "bouffant" paper, the only printing with 40 copies on handmade paper. Autograph inscription from the author to a couple of his friends in which he confesses his sadness at having lost his cat. Spine very slightly faded, without significance.
First edition, one of the numbered copies on bouffant paper, the only printing with 25 on pur fil. Author's inscription. Spine very slightly sunned, otherwise handsome copy.
First edition, one of 647 numbered copies on pur fil paper, the only deluxe copies with 49 reimposed. A small stain at the foot of the front cover, handsome copy.
First edition in French, one of 66 numbered copies on pur fil, the only deluxe copies. Spine and boards slightly and marginally sunned, otherwise a handsome copy.
First French edition, one of 56 numbered copies on pur fil paper, the only deluxe copies. Spine and boards slightly and marginally faded, otherwise a handsome copy.
First edition, of which there were no deluxe copies, a Service de Presse (advance) copy. Spine very slightly sunned as usual, tiny spots on edges, otherwise handsome copy.
First edition on ordinary paper, from a limited edition of only 35 copies printed on deluxe paper. First cover very slightly and marginally shaded without consequence, otherwise handsome copy retaining publisher's wraparound band.
First edition on ordinary paper, false statement of fourth edition on the front board, of eighth edition on the title page. Fine autograph inscription from the author to Edmond Sée. Spine lacking, boards detached. As is.
First edition, one of the Service de Presse (advance) copies. Autograph inscription from Félicien Marceau to Madame Gignoux. Spine very slightly sunned, handsome interior condition.
First edition, a Service de Presse (advance) copy. Autograph inscription from the author to Jacques Chabannes. Spine faded, rear board nearly detached.
First edition, one of the numbered copies on alfa paper, the only printing with 21 Holland and 70 pur fil copies. The work is illustrated with a frontispiece portrait of P. Claudel by Jean Charlot and a portrait of Jean Racine by Edelinck. Handsome copy.
First edition, one of 855 numbered copies on pure laid paper, the only deluxe copies along with 113 reimposed. Spine sunned, marginal spotting to front board, light interior foxing mainly affecting the edges.
First edition on ordinary paper, false statement of edition. Autograph inscription by the author on the half-title page. Gift inscription by the dedicatee on the half-title page, a tiny lack at head of spine which also has a tear with lack at foot.
First edition, one of 215 numbered copies on pur fil, the only deluxe copies. With frontispiece self-portrait of G. Rouault engraved by Jules Germain. Furthermore our copy includes the China proof of the portrait signed by J. Germain. Illustrations at end reproducing works by G. Rouault, text by Michel Puy. Spine and boards slightly and uniformly faded, handsome interior condition.
First edition of the French translation established by Marie Canavaggia, one of 210 numbered copies on pur fil, the only deluxe copies. Spine and boards marginally faded, otherwise handsome copy.
First edition on ordinary paper for Protée, reprint for La cantate à trois voix, only 20 copies were printed on deluxe Arches laid paper. Handsome copy.
First edition of the French translation established by Valéry Larbaud, one of 830 numbered copies on pur fil paper, one of 120 re-imposed. Foxing mainly affecting the very first and very last pages.
First edition, one of the copies on chestnut paper, the only printing with 550 Bonet. Minor marginal lacks not affecting text on the pages of the first leaf which was badly cut, otherwise a handsome copy.
First edition, one of 13 numbered copies on pur fil, the only deluxe copies. A very small stain on the first cover, otherwise a rare and handsome copy.
First edition, one of 36 numbered copies on Hollande paper, ours one of 6 hors commerce lettered copies, the only deluxe copies with 11 on Japon paper. Spine and covers marginally sunned.
First edition, a Service de Presse (advance) copy, of which there were no deluxe copies. Autograph inscription from the author to Gilles Lapouge. Spine slightly sunned with minimal foxing spots of no consequence.
First edition in French, one of 792 numbered copies on pur fil paper, the only deluxe copies with 108 reimposed. Spine lightly browned at foot, otherwise a handsome copy.
First edition, one of 647 numbered copies on pure paper, the only deluxe copies with 109 copies reimposed. Inscribed by Bernard Barbey to Madame Jean Ajalbert.
First edition, one of 23 numbered copies on alfa paper, ours being one of 8 hors commerce copies, the only deluxe copies along with 60 hors commerce copies on vellum reserved for 'A.B.L.' Spine slightly sunned, a very small insignificant stain on the front cover, handsome copy.
First edition of which only 13 deluxe copies were printed on Holland paper, one of the Service de Presse copies. Autograph inscription from Odette Joyeux. Spine slightly warped, minor worming to boards.
First edition, one of 195 numbered copies on alfa paper, the only deluxe copies after only 6 China, 13 Holland and 55 pure thread. Minor restorations to spine and boards. Handsome copy.
First edition, one of 109 numbered copies on Lafuma laid paper and reimposed in Tellière quarto format, deluxe copy. Margins of the back cover and spine slightly shadowed, otherwise handsome copy.
La Nouvelle Revue Française|Paris Septembre & Octobre 1933|14 x 23 cm|2 volumes brochés
Pre-original edition of this text which would appear the following year in La comédie de Charleroi. Texts by Henri Michaux and Georges Ribemont-Dessaignes among others, a small tear at the foot of one joint, otherwise handsome copies.
First edition, one of 100 numbered copies reserved for founding members of the Society of Friends of Jean Cocteau, ours bearing number 1, deluxe copy. Bookplate on endpaper, small stains to margin. This is 'Cahier Jean Cocteau' number 9.
First edition, one of 109 numbered copies on Lafuma Navarre paper in Tellière quarto format, deluxe issue. Handsome copy of this interesting journalistic account of 20th-century Ireland.