Éditions de Minuit

First edition, one of 47 numbered copies on Vergé de Vizille, the only deluxe paper issue.
A fine copy.

First edition, one of 100 hors commerce numbered copies on BFK de Rives paper, the only grand papier (deluxe) copies with 662 other copies on BFK de Rives paper.
Precious copy inscribed and dated October 1966 by Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Nice copy.
“What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, without force, without shadow? Here everything moves, swims, fells, c

First edition of the author's French translation, one of 50 numbered copies on vélin d'Arches paper, an hors commerce copy, the only large paper copies with 292 other vélin d'Arches paper.
Precious copy inscribed and dated December 1972 by Samuel Beckett to his friend the painter Geer (Van Velde) and his wife Lise.
Spine and back cover slightly discolored.

What to say of the sliding planes, the shimmering contours, the cut-out figures in the fog, the balance that any little thing can break, breaking and re-forming themselves under our very eyes? How to talk about the colors that breathe and pant? Of the swarming stasis? Of this world without weight, w

First edition on ordinary paper with the correct colophon dated 22 June 1999.

Pleasant copy despite two light spots on the right margin of the lower cover.

Inscribed and signed by Jean Echenoz to Jean-Pierre Métais.

First edition on ordinary paper.

Manuscript initials at the head of the upper cover and of the title page serving as an ex-libris.

A pleasant copy.

First edition with numerous illustrations.
Publisher's beige canvas binding with its dust jacket - slightly rubbed around the edges with some very small loss of paper. 

Association copy signed and inscribed by Le Corbusier to his literary agent: “For Hélène Strassova, guardian of the lamps. The lamps being these books full of gibberish that she has miraculously spread among the people... yellow, red, white and black. In the tower of Babel... With my thanks and friendship. Le Corbusier Nov. 14, 1959.” With an autograph thank you note signed by Jean Petit.

“Helena Strassova mostly represented German authors in France, and French authors abroad. Born