E. Sansot & Cie

The first edition, of which there were no deluxe copies.
Rare and handsome copy.
Autograph inscription signed by Francis Carco on the half-title page.

Rare first edition of this work dedicated to Oscar Wilde.
A tear to the upper left corner of the first cover, a small stain on the second cover, handsome interior condition.

First edition, one of 500 numbered copies on Arches laid paper, the only deluxe copies after 10 Japan, 20 Holland and 20 Alfa.
Work illustrated with 5 portraits.
Handsome copy.

First edition on ordinary paper, with only 10 deluxe copies printed on pur fil paper.
A handsome copy.

The first edition, of which there were no deluxe copies, of this collection of poems dedicated to sports, automobiles and aviation.
First cover with a stain running its full length in the left margin, handsome interior condition.
Autograph inscription signed by Jean-Michel Renaitour to Louis de Gonzague-Frick.

First edition of which no deluxe copies are mentioned.
Rare and handsome copy.
Fine autograph inscription signed by Paul-Sentenac: "Pour Auguste Dorchain, pour le poète émouvant, pour l'auteur de l'Art des vers, en souvenir de l'accueil affectueux qu'il m'a toujours réservé, et en témoignage de bien sincère sympathie, et bien fidèle, PaulSentenac." (For Auguste Dorchain, for the moving poet, for the author of l'Art des vers, in memory of the affectionate welcome he has always given me, and as testimony of very sincere sympathy, and very faithful, PaulSentenac.)

First edition, one of 40 numbered copies on laid Holland paper, ours unnumbered, the only deluxe copies.
Boards and spine slightly and marginally shaded, two press clippings included having left a shadow on the endpapers and half-title, small foxing on some deckled edges.
Rare full-margined copy.
Autograph inscription signed by Alphonse Séché to Gustave Colson who served, during the 1914-1918 war, as battalion commander and lieutenant-colonel in army staff and who became chief of staff of the rear direction.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
A poem by Renée Vivien at the beginning of the work.
Fine and very rare copy.
In memoriam...

First edition on ordinary paper.
Spine warped, one tear reglued on a joint, some minor foxing, paper yellowed as usual.
Work illustrated with a photographic portrait of Henri de Régnier as frontispiece, a manuscript facsimile as well as typographical ornaments by Manuel Orazi.
Signed autograph inscription by Paul Léautaud: "A Henri Chatelain, cet exercice." ["To Henri Chatelain, this exercise."]

First edition printed with a small number of copies.
A poem by Renée Vivien at the top of the work.
A beautiful and very rare copy.
In memoriam...

First edition, one of 30 numbered copies on Hollande paper, the only deluxe copies after 20 Japan.
Some deckled edges and the final endpaper marginally and partially shaded, some minor foxing.
Manuscript thought by Robert de Montesquiou on the entirely shaded half-title page: "L'abeille porte en soi la piqûre & le miel." ["The bee carries within itself both the sting and the honey."]

First edition on ordinary paper.
Cover illustrated with a woodcut by L. Madeline.
Spine sunned, rare.

First edition on ordinary paper for each of the volumes; no mention is made of deluxe paper for the first.
Half fawn shagreen binding, spine with five raised bands, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved (the front cover of the second volume is soiled).
Handsome copy.

First edition of the French translation for which there is no mention of leading copies.
Signed autograph of Filippo-Tommaso Marinetti in French: "To my dear colleague Bauzun ..." for which he specifies his address in Milan.

First edition of which there were no grand papier (deluxe) copies, falsely stated the second edition, cover dated 1910, title page with 1909.
Autograph inscription signed by Filippo-Tommaso Marinetti to Charles Cherbault.
A few spots.

First edition on ordinary paper.
Front endpaper lightly soiled, otherwise handsome copy.

Edition on current paper, false entry of second edition which was used to the press service, he was fired as 5 Holland paper in leading copies.
Bel autograph signed and in full page of the author Guy Lavaud for which he says his address Milanese.
Two tears in the top and bottom of a joint, minor losses on the back, nice interior state.

First edition for which there was no mention of large paper copies, stated the fourth edition.
Autograph inscription from Filippo Tommaso Marinetti to Guy Lavaud, with Marinetti's address in Milan.
Spine slightly sunned as usual.

First edition, statement of eighth edition.
Work illustrated with 8 drawings by Valeri.
Small lacks to the sunned spine, foxing to the boards, a pale dampstain marginally framing the second board, some interior foxing.

First edition, one of 10 numbered copies on Holland paper, not ours justified only leading copies after 6 Japan.
Signed autograph of Roger Le Brun Charles Régismanset.
Illustrated book of a photographic portrait of Georges Courteline frontispiece.
Some spots affecting some witnesses, otherwise nice copy wide-margined.

MARINETTI Filippo Tommaso
Poupées électriques
[Electric Puppets]
E. Sansot & Cie, Paris 1909, 11,5 x 19 cm, paper binding
First edition for which there is no mention of grand papier (deluxe) copies.
Black paper boards, wrappers and spine preserved, binding by de Goy & Vilaine.
Autograph inscription from Filippo Tommaso Marinetti to his close friend Bougnol.
Occasional small foxing.
$ 1 250

MARINETTI Filippo Tommaso
La Ville charnelle [The Carnal City]
E. Sansot & Cie, Paris 1908, 13,5 x 17,5 cm, original wrappers
First edition of which there were no grand papier (deluxe) copies, falsely stated the 5th edition.
Autograph inscription from Filippo Tommaso Marinetti: “A mon cher maître Maurice Le Blond...” on half title and, on the opposite page, his address in Milan.
A clear spot and a trace of an angular fold to upper cover, tiny spots on the first free endpaper.
$ 1 250

First edition, one of 12 numbered copies on China paper, deluxe issue with 12 copies on Japan paper.
Bound in half tawny calf, smooth spine, boards, endpapers and pastedowns of moiré paper, covers and spine preserved, top edge gilt, handsome contemporary unsigned binding.
Handsome copy elegantly bound.

First edition, one of 6 numbered copies on Japan paper, deluxe copy.
Work illustrated with a photographic portrait of Charles-Henry Hirsch as frontispiece.
Spine faded and restored, first endpaper lightly and partially soiled, otherwise handsome interior condition.

MARINETTI Filippo Tommaso
Les Dieux s'en vont d'Annunzio reste [The Gods Are Leaving, D'Annunzio Remains]
Sansot, Paris 1906, 11,5 x 19 cm, contemporary half red morocco
First edition in French, for which there is no mention of grand papier (deluxe) copies.
Contemporary half ed morocco over marbled paper boards by Stroobants, spine in six compartments decorated with gilt spots and double gilt compartments with gilt typographic devices (slight insignificant rubbing to three bands), gilt fillet frame to boards, marbled endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
Autograph inscription from Filippo-Tommaso Marinetti in French to the journalist and politician Eugène Lautier.
With ink drawings by Valeri. A very good copy in a nice binding.
$ 2 800

First edition, one of 12 numbered copies on Japan paper, deluxe copy.
A small tear and light worming to spine, gift inscription from a previous owner, two tiny corner creases at foot of boards, an interior repair using an adhesive piece to verso and at foot of front board.

First edition on ordinary paper, falsely stated third edition, qui fut utilisée pour le service de presse, il n'a été tiré que 5 Hollande en grands papiers.
Handsome full-page autograph inscription, dated, from the author to Marguerite Burnat-Provins.
Two tiny lacks, not serious, to head and to foot of the spine, clear stains to lower cover, occasional foxing.

MARINETTI Filippo Tommaso
Mafarka le Futuriste
[Mafarka the Futurist]
Sansot & Cie, Paris 1909, 12,5 x 18 cm, original wrappers
First edition, of which there were no grand papier (deluxe) copies.
Autograph inscription from Filippo-Tommaso Marinetti.
Slight foxing mostly on the endpapers, otherwise internally good.
$ 1 250

First edition, of which there were no deluxe copies.
Spine split with loss, some foxing.

MARINETTI Filippo Tommaso
La Conquête des étoiles
[The Conquest of the Stars]
Sansot, Paris 1909, 13,5 x 17,5 cm, half black morocco
First edition for which there is no mention of grand papier (deluxe) copies, falsely stated the third edition.
Half black morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments with gilt date at foot, marbled endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
Autograph inscription from Filippo Tommaso Marinetti to a lady, adding his address in Milan.
Light foxing, principally to endpapers.
A nicely bound copy.
$ 1 800

Published the same year as the first edition.
Inscribed by Filippo Tommaso Marinetti.
Stains on the first and lower cover.

First edition on ordinary paper, with only 12 Japan and 15 Holland deluxe copies printed.
First cover restored and reattached.

First edition on current paper.
Insolated back with a small manqyue.
Precious autograph signed by Emilienne d'Alençon to Sacha Guitry.

First edition of the adaptation in musical by Roger Pillaudin of the text of Raymond Queneau, one of the review copies service.
Back slightly insolated.
Illustrated book of reproductions of works by Jacques Dresa, Edouard-Marcel Sandoz, Antoine Watteau, André Fraye, Pierre Laprade, Henri Montassier, Fortuné Paillot, Gustave Pimienta.
Signed autograph from Paul-Sentenac to Gaston Arthuis.

First edition on current paper.
Back and flat marginally insolated, nice interior state.
Signed autograph of Jules Romains to the magazine "L'art libre".

First edition for which it was not drawn large papers.
A tear on the back that also has a lack in the foot, first flat tend to come off, bites on the boards.
Autograph signed by Tristan Klingsor Emile Roustan.

First edition on ordinary paper despite a mention of third edition.
Two small lacks, not serious, to head and foot of spine.

First edition, one of 400 copies on vergé teinté paper, the only printing after 200 on Hollande paper.
Spine and covers marginally sunned as usual, internally good.

Edition printed on Alfa paper.
Binding half navy blue morocco, spine with five nerves, marbled paper plates, guards and sky blue contreplats, wrappers and back preserved and bound in (isolated back and slightly faded, stains on boards), gilded head, binding signed P. Goy & C. Vilaine.
Signed autograph Albert in London The dispatch of Le Havre.
Copy pleasantly established.

first edition of the second book of the author and for which it was not drawn large papers.
Binding to bradel full black paper with decorative patterns, smooth back, as part of black morocco, wrappers and back preserved and bound in (back and boards with marginal gaps filled and restored tears), signed binding T. Boichot.
Precious autograph signed Albert London: "To my friend Henry Beraud, remember."
Some angular gaps filled six sheets (particularly page 125) that were badly cut by the dedicatee.
Pleasant elegantly drawn copy.

Original edition on laid iprimée and for which there is no mention of major papers.
Our copy is enriched with this thought autograph of the author: "Should I put all my wickedness in this little book that you find me good if Your Natalie Clifford Barney appréciatrice?".
Nice copy.

New edition printed on vergé.
A good copy.

First edition, one of six numbered copies on Japan paper, the tirage de tête.
Elegant half dark green morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, gilt date to spine, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
This copy is enriched with an important two-page autograph note signed by the author to Jules Bois in which he calls him "love and friend" and in which a breakfast is discussed where they would be joined by a certain Mlle Nau and Paul Fort who had just “knocked out Sar and revenged Archonte [Antoine de la Rochefoucauld]”.
A very good copy perfectly bound.

First edition on ordinary paper.
A good copy.

First edition, one of 25 numbered copies on vieux Japon, tirage de tête.
A little light spotting essentially ont the endpapers.

First edition for which there were no large paper copies.
Illustrated cover by Lévy-Dhurmer.
A small lack to foot of a joint, otherwise a good copy.

First edition for which there were no large paper copies.
Half dark red morocco, spine in five compartments, blindruled fillets to the covers, covers and spine preserved, top edge gilt.
A rare and very good copy.

First edition, one of 100 numbered copies on Alfa paper, ours unjustified, only draw with 5 Japan, 10 China and 50 Arches paper.
Rare autograph dedication of the author of Marguerite Burnat-Provins to André Warnod.
Tiny marginal stings on the first sheet, nice copy.

First edition, with no mention of deluxe copies.
Signed autograph inscription from Léon Bazalgette.
Work illustrated with a frontispiece portrait, drawings and typographic ornaments by Orazi.
Spine sunned, one joint slightly cracked at foot, minimal corner wear to boards,

First edition, one of 25 numbered copies on Hollande paper, the only deluxe copies along with 12 on Japan paper.
A small lack to foot of spine, some foxing mainly affecting margins, last endpaper shaded, otherwise a rare and handsome copy with full margins.

First edition on ordinary paper, only 10 Japan and 12 Holland copies were printed on deluxe paper.
Laudatory inscription from Jean Hytier to a fellow poet.
A lack at the head of the spine, handsome interior condition.

First edition on ordinary paper.
Two small tears of no consequence at foot of joints, otherwise a handsome copy.

First edition, false statement of second edition.
Minor marginal tears without consequence to the boards, occasional light foxing.
Fine inscription from Aurel to the illustrator Ciokolwski: "(...)En toute spéciale estime; à son lumineux respect de la femme. En vive sympathie, Aurel" ["In special esteem; to his luminous respect for women. In keen sympathy, Aurel"]

First edition on ordinary paper.
Work illustrated with a portrait of J. Moréas as frontispiece and an autograph facsimile.
Handsome copy.

New edition, one of 11 numbered copies on Holland paper, the only deluxe copies.
Selection, notice and original commentary by Fernand Caussy.
Spine browned, covers uniformly faded, handsome interior condition.

First edition on ordinary paper; only 10 copies were printed on deluxe Holland paper.
Inscription from André Nepveu.

First edition with no mention of deluxe copies, false statement of third edition.
A very slight tear without loss at head of spine, otherwise a handsome copy.

First edition on ordinary paper, of which only 32 deluxe copies were printed.
Selected thoughts preceded by an introduction by Denys Amiel.
Handsome copy.

First edition for which there were no large paper copies.
A very good copy.

First edition on ordinary paper for which there was no mention of large paper copies.

First edition on ordinary paper, only 12 Holland copies were printed.
Half navy blue shagreen binding, spine with five raised bands, date at foot, cover preserved, top edge gilt.
Fine interior condition.

First edition on ordinary paper published anonymously, of which only 15 copies were printed on Holland paper.
Preface by A. Gilbert de Voisins.

First edition on ordinary paper, only 15 Japan and 20 Arches deluxe copies were printed.
Work illustrated with a photographic frontispiece of a work by A. Rodin.
Three stains on spine and first cover.
Light foxing affecting endpapers, otherwise handsome copy.

New edition, featuring an introduction by Georges Crappe. Frontispiece portrait of the author. Inscribed by Georges Crappe. Minor loss to the head of the sunned spine, internally a very good copy.

First edition on ordinary paper, only 10 copies were printed on Holland paper in deluxe format.
Preface by Francis de Miomandre. Light worming to boards.

New edition.

First edition, of which there were no deluxe copies.
Spine sunned, one joint with minor rubbing, light marginal foxing to front board.
Rare.

First edition for which there were no large paper copies.

First edition printed on laid paper, only 25 deluxe copies were printed on Holland paper.
Text preceded by a study by G. Kahn.
Rare and handsome copy.

First edition of the French translation for which there is no mention of leading copies.
Signed autograph of Filippo Tommaso Marinetti in the French poet Guy Lavaud on the half-title page.