Denoël

first edition on common paper, only 50 "pur-fil" paper in large papers was drawn.
Bradel binding in full paper, smooth back, title piece of hazelnut morocco, covers and backs preserved, signed binding of Thomas Boichot.
Signed autographed by Lucien Rebatet: "To Madame François who defends with so much valor our old songs".

First edition, one of 25 numbered copies on pur fil paper Lafuma, the tirage de tête.
Full morocco, top edge gilt, covers and spine preserved, slipcase lined with morocco, binding signed by Bichon.
Rare and nice copy elegantly bound.

First edition, one of 45 numbered copies on pur fil paper Lafuma, the tirage de tête.
Full morocco, top edge gilt, covers and spine preserved, slipcase lined with morocco, binding signed by Bichon.
Rare and nice copy elegantly bound.

First edition of the French translation, one of 120 numbered copies, only large paper.
Signed autograph and dated Curzio Malaparte to miss Paule d'Ambrosio: "... the testimony of the misery and greatness of man ..."
The ink of the autograph having drooled on the front page next.

Midis gagnés
First edition for some parts with six original drawings by Henri Matisse, one of 150 numbered hors commerce copies on alfa paper reserved as advance copies.
Autograph inscription signed by Tristan Tzara to the poet Guy Lavaud.
Spine slightly sunned, stain to upper cover, occasional foxing, principally to the margins of some leaves.

Edition of wich no leading copies exists.
Signed autograph of Louis Pauwels Paul Aveline.
Back slightly wrinkled, otherwise good copy.

first edition on the current paper.
Signed autograph Pierre Bernard Bourgeade Sichère: "... if the end of the world, the end of women ..."
Nice copy.

first edition.
Binding of the editor in full burgundy, smooth back, full copy of his illustrated jacket with small marginal tear without gravity.
Signed autograph Massin José Artur enriched signing Francis Emile Zola.
Book illustrated with photographs.
Nice copy.

First edition for which it was not drawn from great papers, one of the review copies service.
Autograph signed by Georges Perec to Pierre Dumayet.
Pleasant full copy of his prayer to insert.

First edition, review copy.
Signed autograph of Louis Aragon to Roger Feral.
Back slightly insolated, small marginal tear without gravity on the flat.

First edition, review copy.
Signed autograph of René Laforgue to Fraigneau.
spine and marginally insolated boards, some spots mainly affecting the margins of the leaves.

New edition.
Autograph inscription from Louis Aragon to Monique Mouret.
Small tears and slight angular lacks to spine and covers.

First edition on ordinary paper.
A good copy.

First edition, a numbered copy on alfa paper.
One tear to head of upper cover, a good copy.

First edition of the French translation, one of 20 numbered copies on pur fil, the only large paper copies.
One small tear to foot of spine.

First edition, one of 10 numbered copies on vergé ivoire paper, the only large paper copies.
A very good copy in new condition.

First edition, one of 10 numbered copies on offset Centaure, the only large paper copies.
A very good copy in new condition.

First edition, one of 15 numbered copies on vergé ivoire paper, the only large paper copies.
A very good copy in new condition.

First edition, one of 10 numbered copies on offset centaure, the only large paper copies.
A very good copy in new condition.

First edition, one of 20 numbered copies on vergé d'Arches paper, the only large paper copies.
A very good copy in new condition.

First edition of which there were no large paper copies.
A good copy retaining its illustrated dust jacket.

First edition, one of 50 numbered copies on chiffon d'Annonay, the only large paper copies after 10 pur fil paper.
Spine slightly sunned, otherwise a good copy.

First edition, one of 25 numbered copies on pur fil paper, the only large paper copies after 5 Arches paper.
Spine slightly sunned to head and foot, small spotting to head of lower cover and endpapers.

Chroniques de ma vie [An Autobiography]
First edition, one of 10 numbered copies on pur fil paper, the tirage de tête.
With 6 drawings hors-texte.
A very good and rare copy.

Edition for which he was not drawn large paper, review copy.
Precious autograph signed Rene Fallet René Clair who adapted the film The Great Belt: "For René Clair with my admiration and my gratitude and my friendship and all this is true Remembering a crushed thumb La Grande belt. and René Fallet ".
complete copy of his prayer to insert.

First edition, one of 100 numbered copies on alfa.
A good copy.

First edition, review copy.
Signed autograph of Dominique Rolin to a friend: "To Jean-Philippe, who helped me write this book of shadows and death ..."
Small spots on the first board.

First edition, review copy.
Signed autograph of Dominique Rolin to a friend: "Jean-Philippe, her friend ..."
Small spots on the first board.

First edition, review copy.
autograph dedication of the author autograph dated and signed by Dominique Rolin to a close friend: "Jean-Philippe, tenderly ..."
Small spots on boards.

First edition, review copy.
autograph dedication of the author autograph signed and dated by Dominique Rolin in a couple of close friends.
Small spots on edges.

First edition, review copy.
autograph dedication of the author autograph dated and signed by Dominique Rolin a close friend.
Nice copy.

First edition, review copy.
autograph dedication of the author autograph dated and signed by Dominique Rolin to a friend.
Angular scratch in foot of the first flat

first edition on the current paper.
autograph dedication of the author autograph dated and signed by Dominique Rolin to a friend.
Minor losses on the back and flat margins

First edition of which there were no large paper copies.
Iconography.
A good copy.

First edition, one of 200 advance (service de presse) copies with the notice "service de presse" printed on the back and without the publisher’s catalogue at end, the first copies issued, preceding even the large paper ones.
Handsome autograph inscription signed by Louis-Ferdinand Céline to Gonzague Truc.
Rare and good copy.

First edition on ordinary paper.
Cover and spine skillfully repaired.
Autograph inscription signed by Louis-Ferdinand Céline : "A Gonzague Truc qui me déteste...[To Gonzague Truc, who hates me…]"

First edition, an advance (service de presse) copy, there were only 20 pur fil paper large paper copies.
Small angular lacks to head of final leaves, ex-dono in biro on top of title page.

Noiuvelle edition.
Signed autograph of Louis Aragon to Yolande Valenti.
First guard reinforced with an adhesive paper strip otherwise nice copy.

Edition of wich no leading copies exists.
Signed autograph of Robert Amadou Jean Kerchbrau "... remember the first meeting rue César Franck ..."
Iconography.
A small tear in the middle of the first board that has a small marginal tear without gravity.

First edition on ordinary paper with all the characteristics of the first printing.
Half black morocco by Goy & Vilaine, spine in six compartments, gilt date to foot of spine, a few small spots, spine sunned with small lacks (retained), top edge gilt.
A rare copy, nicely bound.

first edition.
Binding to bradel the editor in full red fabric, smooth back, full copy of his illustrated jacket.
Signed autograph of Jean-Jacques Alain Vernay enriched a small drawing of a man waving his hat.
Illustrated book of the author of drawings.

First edition of the French translation done by Marie Bonaparte, one of the very rare copies on pur fil Lafuma, of which there is no mention in the justification of the print run, the only large paper copies along with 10 on alfa paper
Endpapers partly lightly sunned; a very good and rare copy with good margins.

Edition for which he was not drawn large paper, review copy.
Signed autograph from Georges Perec to Jacqueline Borde.
complete copy of his prayer to insert.

First edition, one of 25 numbered copies on alfa paper, this copy one of 5 hors commerce, the only large paper copies.
Iconography.
A good copy.

A reprint from 1932 published under the address in the rue de L'Abbé-de-l'Epée, light green publisher’s catalogue at end, fictional mention of the 38th edition.
Lacks (filled in) to spine and lower cover.
Half black morocco over marbled paper boards by Goy & Vilaine, spine in six compartments, marbled paper endpapers and pastedowns, covers and spine preserved, top edge gilt.
Autograph inscription signed by Louis-Ferdinand Céline to Fany Abel.
A nicely bound copy.

ARTAUD Antonin
L'Art et la Mort [Art and Death]
Denoël & Steele, Paris 1929, 19 x 28,5 cm, Révorim binding
First edition, one of 750 numbered copies on vellum, this copy without justification.
Justified and numbered Révorim binding by Jean de Gonet, grey calf spine, author and title in palladium, covers edged with ribbed chocolate brown limp Révorim and a lighter brown making a brick wall, the covers articulated with grey cloth bands, grey endpapers and pastedowns, wrappers preserved (wrappers faded
all over), the binding signed De Gonet Artefacts. A little light foxing, mostly at beginning and end.
Autograph inscription from Antonin Artaud to the poet Louis de Gonzague-Frick.
With a frontispiece by Jean de Bosschère.
$ 3 800

First edition, one of 50 numbered copies on pur fil paper, the only large paper copies.
A good copy.

First edition, review copy.
Signed autograph of René Barjavel to Francis Ambrière.
Some small bites are not serious about meals and guards.

First edition of the French translation, one of 15 numbered copies on pur fil, the only large paper copies.
Covers very slightly sunned to head, otherwise a good copy.

First edition, one of 790 numbered copies on alfa paper.
Half black morocco-like shagreen over marbled paper boards by Semet & Plumelle, spine in five compartments, gilt date to foot of spine, marbled and moiré-effect endpapers and pastedowns, covers and spine preserved, top edge gilt.
Provenance : from the library of Henri Thuile with his ex libris on pastedown.
A very good copy nicely bound.

first edition on the current paper.
Tribute autograph signed Georges Brassens top of the title page, which also included a handwritten date probably traced by the dedicatee and thus specifying the date of the autograph of Georges Brassens.
Nice copy.