Paris

First edition, a Service de Presse (advance) copy.
Autograph inscription from Gaetan Picon to Nathalie Sarraute, handsome copy.

First edition.
Numerous contributions, including from Elie Richard.

First edition.
Numerous contributions including those of Antonin Artaud and Gabriel Audisio.

First edition on ordinary paper.
Autograph inscription from Brice Parain to Nathalie and Raymond Sarraute.
Stains affecting the front cover.

First edition, a Service de Presse (advance) copy.
Autograph inscription from Brice Parain to Nathalie Sarraute.
Spine wrinkled, first and second covers marginally sunned, lacking at head of spine.

First edition.
Numerous contributions including those by Joseph Delteil and Philippe Soupault.

First edition.
Numerous contributions including those by Joseph Delteil and Elie Richard.
Le tombeau de Jules Tellier by Raymond de la Tailhède

First edition.
Numerous contributions including those by Joseph Delteil and Jules Supervielle.

First edition.
Numerous contributions, including from Guillaume Apollinaire.

First edition, of which there were no deluxe copies.
Autograph inscription from the author to Nathalie Sarraute.
A pale dampstain affecting the front cover, gift inscription on the back cover.

First edition, of which there were no deluxe copies.
Respectful autograph inscription from the author to Nathalie Sarraute, handsome copy.

First edition.
Numerous contributions including those of Guillaume Apollinaire.
Issue devoted to Guillaume Apollinaire, first part.

First edition.
Numerous contributions including those of Pierre Mac-Orlan and Joseph Delteil.

First edition.
Numerous contributions including those of Joseph Delteil.
Illustrated by Kisling.

First edition.
Numerous contributions, including from André Breton.

The first edition published in a small number of copies on laid paper, only 42 deluxe copies were printed.
With frontispiece etching by Staal.
Small lacks to head and foot of spine of the second volume, spine of the first copy faded, front board of the first volume detached.

The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Autograph inscription from the author to Nathalie Sarraute, handsome copy.

First edition of this offprint from the journal 'Synthèses', no deluxe copies mentioned.
Autograph inscription from R. de. Solier to Nathalie Sarraute enhanced with the signature of Bernard Dufour.
Iconography, a light scratch to the front cover, otherwise a handsome copy.

First edition on ordinary paper.
Beautiful autograph inscription from Hector Bianciotti to Nathalie (Sarraute).

First edition, a Service de Presse (advance) copy.
Autograph inscription signed by Jacques Audiberti to Nathalie Sarraute.
Spine sunned, complete with publisher's slip.

First edition, one of 250 numbered copies on alfa teinté.
A very good copy.

First edition on ordinary paper, false statement of thousand.
Minor worming.
Cover illustrated by Courtois.

First edition.
Some foxing, a small tear without loss, repaired on page 245.

First edition.
Illustrated cover, a very good copy.

First edition, one of 600 copies on alfa paper numbered and initialed by the author.
Pastiches of G. Apollinaire, T. Botrel, A. Bonnard, J. Cocteau, P. Claudel, H. de régnier among others.
Handsome copy.

First edition, of which there were no deluxe copies. Reproductions of paintings by M. Azéma, G. Castiglione, Hoffbauer, J. Styka... Minor marginal lacks not touching text on page 9 which was poorly cut, otherwise a rare and handsome copy.

First edition. Handwritten signed inscription of the author, nice copy.

First edition, of which there were no deluxe copies.
Work illustrated with 56 drawings.
A slight lack at head of spine, two other marginal ones affecting the first cover, a marginal dampstain affecting the last leaves.

Second edition in French.
Spine broken, significant lack affecting the second cover, interior fresh despite some occasional foxing.

First edition.
A very good copy.

First edition, of which there were no deluxe copies.
This is a thesis presented to the Faculty of Letters of Paris.
A lack to the foot of the spine, otherwise a handsome copy.

First edition.
A very good copy.

First edition.

Characteristic work of wartime propaganda from the Great War.

Handsome copy.

First edition, one of 50 numbered copies on pur fil, the only large paper copies.

First edition.
Work illustrated by A. Gérardin, G. Scot, L. Tinayre, Guilliod and Moreno.
Small lack to foot of spine.
Work sold for the benefit of the victims of the cyclone of August 18, 1891, which caused 1800 casualties and extensive damage.

First edition printed in a small number of copies of this offprint from the journal of 'la société des américanistes de Paris'.
Marginal lacks to spine and boards.
Stains to boards, gift inscription, fine interior condition.

Edition banned for Belgium and abroad.
On women, transatlantic marquises, blacks and whites, political life...
Spine reglued but otherwise handsome copy.

First edition. Contributions by Théodore de Banville, Ephraïm Mikhael, Paul Roux among others. Autograph inscription by Rodolphe Darzens to Camille Flammarion on the first page.

First edition. Contributions by Pierre Quillard, Ephraïm Mikhael, Paul Roux and Rodolphe Darzens among others.

First edition.
Contributions by Charles Van Lerberghe, Paul Roux, Jean Ajalbert, Maurice Maeterlinck, Ephraïm Mikael, Pierre Quillard and Rodolphe Darzens among others.

First edition. Contributions by Charles Van Lerberghe, Ephraïm Mikael and Rodolphe Darzens among others.

First edition, of which there were no deluxe copies.
Bradel binding in half mauve cloth, smooth spine decorated with floral motifs and double gilt fillets, black shagreen title label, contemporary binding.
Work illustrated with two simili-engravings.

First edition on ordinary paper, only 100 copies were printed on Holland paper.
Half red shagreen binding, spine with five raised bands, date at foot, original wrappers preserved, top edge gilt.
These are conversations about war and other subjects.
Handsome copy.

First edition, one of 10 numbered copies on Japan paper, deluxe issue with 10 on China paper.
Handsome autograph inscription from Armand Godoy to Madame E. Joly.
Handsome full-margined copy.

First edition, one of 550 numbered copies on Lafuma paper, the only issue with 6 Japan and 15 Holland copies.
Fine autograph inscription from the author.
Preface by J. Royère, handsome copy.

First edition on ordinary paper, only 12 Holland copies were printed.
Half navy blue shagreen binding, spine with five raised bands, date at foot, cover preserved, top edge gilt.
Fine interior condition.

First edition, one of the numbered copies of the first issue printed on the press, of which there were no deluxe copies.
Half red morocco-grained shagreen binding, spine with five raised bands, date at foot, covers and spine preserved, top edge gilt.
Handsome copy attractively bound.

First edition.
Foxing.

First edition on ordinary paper.
Autograph inscription by the author.
Photographic cover, handsome copy.

First edition on ordinary paper, only 5 deluxe copies were printed.
Handsome inscription by the author.
Handsome copy complete with its dust jacket.

Third edition.
Autograph inscription by Jean Bernard.
Minor lacks without consequence to spine and one joint.
Parisian life of the late nineteenth century.

Second edition.
Half shagreen binding in aubergine, smooth spine slightly faded decorated with gilt typographical motifs, original wrappers preserved, top edge gilt. As frontispiece, a portrait of M. de Guérin engraved on wood by J. Bertrand, work illustrated with 5 engravings and facsimiles.
Handsome copy attractively bound.

First edition.
Half sheep binding in plum, smooth spine rubbed decorated with triple gilt fillets, initials at foot, boards marginally discolored.
The affair of the necklace, the drama of Varennes, the revolutionary tribunal, letters from Marie-Antoinette, Billaud-Varenne among others.
Fine interior condition.

New edition. Study by the general baron Ambert. Small foxing to the covers, internally very good despite rare foxing.

Tenth edition.
One marginal fold mark affecting the second cover.
Rare.
From the series 'Les secrets d'un empire'.

First edition.

First edition, of which there were no deluxe copies.
A slight lack at the head of the spine.

First edition.
Half maroon sheep, with quadruple gold fillets.
Foxing.
Rare.

First edition, there were only 35 large paper copies.
Rare.

First edition of the French translation established by C. Letourneau.
Bradel binding in half orange boards, smooth spine slightly faded decorated with a gilt fleuron, date at foot, chocolate shagreen title-label, contemporary binding. The introduction to 'Le spiritualisme dans l'art' by C. Lévêque has been bound at rear.
Light foxing otherwise handsome copy.

New edition, slightly revised.
Latin tragedies, Robert Garnier, A. de Montchrétien, irregular theatre...

First edition, one of 30 numbered copies on alfa paper, ours one of the few unnumbered hors commerce copies.
Autograph inscription by the author.
Spine sunned, handsome interior condition.

First edition.
Half sheep binding in burgundy, spine with four raised bands, contemporary binding.
With frontispiece photographic portrait of the lieutenant.
Foxing affecting mainly the first leaves.

Second edition, one of the rare copies on Holland paper which is not mentioned in the statement of edition.
Notice by Georges Valois.
Rare and handsome full-margined copy.

First edition, one of 17 numbered copies on Arches vellum, deluxe issue.
Very handsome copy.

First edition, one of 20 numbered copies on pure rag vellum, the only deluxe copies.
Very handsome copy.

First edition, one of 20 numbered copies on pure rag wove paper, ours bearing number 1, the only deluxe copies.
A very handsome copy.

First edition, one of 20 numbered copies on pure rag wove paper, the only deluxe copies.
A very handsome copy.

First edition, one of 45 numbered copies on pure wove paper, deluxe issue.
A very handsome copy.

First edition, one of 20 numbered copies on pure rag paper, ours bearing No. 1, the only deluxe copies.
A very handsome copy.

First edition, one of 49 numbered copies on alfa paper, ours being one of 14 hors commerce copies, the only deluxe copies.
A very handsome copy.

First edition, one of 29 numbered copies on alfa paper, ours one of 14 hors commerce copies, the only deluxe copies.
A very handsome copy.

First edition, one of 25 numbered copies on alfa paper, ours one of 5 hors commerce copies, the only deluxe copies.
A very handsome copy.

First edition, one of 24 numbered copies on alfa paper, ours being one of 14 hors commerce copies, the only deluxe copies.
Very handsome copy.

First edition, one of 26 numbered copies on alfa paper, ours being one of 14 hors commerce copies, the only deluxe copies.
Very handsome copy.

First edition, one of 15 numbered copies on Johannot paper, ours bearing No. 1, the only deluxe copies.
Handsome copy.

First edition.
Autograph inscription from the author.
A very good copy.

First edition of this offprint from the March 1980 issue of Europe magazine, one of 30 numbered copies, the only deluxe copies.
Handsome copy.

First edition. Worn half black sheep binding, smooth spine decorated with gilt fillets, corners slightly bumped, stamp and bibliophile's bookplate. The military history of the French from the Merovingians to the Bourbon-Orléans. Some occasional foxing, copy complete with its colored maps at the end.

Third edition largely in first printing.
Half tan sheep bindings, smooth spines decorated with gilt rolls and fillets, a small lack of paper on the first board of the third volume, contemporary bindings.
Work illustrated with woodcut figures in the text and 19 steel-engraved plates.
Gift inscriptions, copies virtually free from foxing.

Second edition.
Rare historical, biographical, legal and forensic study.
Small marginal tear to front cover, some foxing.

New edition, one of 132 numbered copies on laid paper, the only printing with 3 vellum and 15 Holland copies.
Two slight lacks at head and foot of spine, very light worming.
Rare.

First edition, of which there were no deluxe copies.
Small marginal stains to front cover, otherwise handsome copy.

First edition.
First cover marginally sunned with a small marginal tear, handsome interior condition.

First edition.
Work illustrated with engravings 'in the Gothic style' after drawings by Colin.
Repaired tear with two small lacks affecting the spine, light foxing.

Second edition. Half black sheep binding, spine slightly faded with four raised bands, contemporary binding. Some occasional foxing.

First edition, an advance copy.
Fine autograph inscription by the author to Pierre Seghers, paper yellowed.

New edition first in part.
Two marginal lacks to the lower cover.

First edition, of which no deluxe copies were printed.
Autograph inscription from the author.
Iconography. A tear affecting the last endpaper, tape marks on the back board.

first edition of which he was not drawn large papers.
autograph dedication of the author signed autograph of Anne Fratellini.
Photographic, fine example coverage.