Montpellier (Hérault)

First edition, one of 950 copies on vergé teinté paper.
A good copy.

First edition, one of 30 numbered copies on vélin Johannot, tirage de tête.
A good copy.

First edition, one of 1720 copies on vergé paper teinté, the only printing with 5 on vergé de la Barcelone paper and 75 vergé d'Arches paper.
Autograph inscription from Henri Michaux.
A good copy.

First edition, one of 370 copies on vergé paper, the only printing with 30 vélin paper.
A good copy.

First edition of 964 copies on vergé paper.
Spine and covers slightly and marginally sunned, not serious.

First edition, one of 750 copies on vergé ivoire paper.
Spine and covers slightly and marginally sunned, not serious.

First edition printed on vergé teinté paper, the only printing with 75 on vélin Johannot paper.
A good copy.

First edition printed on vergé teinté paper, the only printing with 60 on vélin Johannot paper.
A good copy.

First edition printed on vergé teinté paper, the only printing with 30 on vélin Johannot paper.
A good copy.

The definitive edition printed on vergé teinté.
A good copy.

First edition printed on vergé teinté paper, the only printing with 50 on vélin Johannot paper.
A good copy.

New edition printed on vergé teinté.
A good copy.

Second edition printed to 1000 copies on vergé.
A good copy.

First edition printed on vergé teinté.
A good copy.

First edition printed on vergé teinté.
A good copy.

First edition printed on vergé teinté paper, the only printing with 60 Arches paper.
A good copy.

First edition of 700 numbered copies on vergé paper.
A good copy.

First edition printed on vergé teinté.
A very good copy.

First complete edition printed on vergé teinté.
A very good copy.

New edition printed on vergé teinté paper.
With illustrations by André Masson.
A very good copy.

New edition with some parts in first edition as it has been corrected and revised.
Half navy sheep binding, spine with four raised bands, light rubbing traces on the joints, marbled paper boards, marbled endpavers and pastedowns, contemporary binding.
Light foxing affecting mainly the endpapers.
Original preface by P. Janet.

First edition.
Half-cloth binding with corners, covered in moiré-effect paper, smooth spine decorated with gilt cross-hatching, marbled paper boards, top edge gilt, bookseller's label pasted to verso of front board.
Some minor foxing.

First French edition based on the third Spanish edition.
Full marbled sheep binding, smooth spine richly decorated with gilt ornamental motifs, red morocco title-label, slight lack to upper headcap, one joint cracked at head with minimal lack, joints lightly rubbed, gilt tooling on edges which also show some rubbing traces, marbled endpapers and pastedowns, marbled edges, contemporary binding.
Pleasant interior condition.

First edition.
Smooth unlettered spine skillfully restored using a piece of pink adhesive tape matching the covers, two corner losses to the second cover, some foxing.
Rare.

First edition.
Autograph inscription from H. Colomb to a colleague.
Small tears with lacks to spine, marginal dampstain to head of front cover affecting the entire text block with diminishing intensity, angular lacks to back cover.
Rare but in poor condition.

First edition.
Autograph inscription by Albert Mourgues to a colleague.
Small tears with lacks to spine, a pale marginal dampstain at head of first cover diminishing through the pages, a crease mark at foot of second cover.

First edition.
Autograph inscription by Jules Parry to a colleague.
A pale angular dampstain at foot of first cover and throughout the text block.
Rare.

First edition.
Two pale dampstains to the margins of the covers, handsome interior condition.
Rare.

First edition.
Autograph inscription by Maurice Jourdan to a colleague.
A pale dampstain to the head margin throughout the text block.

First edition.
Autograph inscription from Louis Carrière to a colleague.
Complete with its folding chart in middle of volume.
Minor stains of no consequence to front cover, handsome copy.

First edition.
Illustrated with 13 figures.

First edition.
Half spinach-colored sheep binding, spine with four raised bands showing traces of rubbing decorated with gilt double compartments, pine green paper boards, corners slightly bumped, marbled endpapers and pastedowns, contemporary binding.
Inscribed by Charles de Tourtoulon to a close friend.

First edition, one of the copies on laid paper, the only printing with 75 Amatruda laid paper copies.
Handsome copy.

First edition printed in a very small number of copies.
Autograph inscription signed by Alphonse Roque-Ferrier.
A rare and handsome copy.

First edition.
Spine faded, internally very good.
Rare.

First edition.
Autograph inscription by C. Saintpierre on the first cover.
Small tears to head and foot of spine, three small angular lacks affecting the covers, handsome interior condition.
Rare.

First edition published in a small number of copies.
A small tear at the head of one joint, otherwise a handsome copy.
Rare.

First edition whose profits were entirely donated to works for the wounded and refugees.
Corner stains to boards which are slightly and marginally faded, handsome interior condition.
Rare.

First edition of this thesis presented at the Montpellier School of Medicine in order to obtain the degree of doctor.
Rare and handsome copy.