In the 19th century, theater inspired the greatest artistic and political ambitions. Writers coveted the seductive power the stage exerted over all social classes. Through theater, Hugo launched the Romantic Revolution, Balzac sought fortune, Dumas fils wanted to equal his father, Sand reunited her family, Gautier set off in search of the ideal while Musset became disillusioned, Rostand reinvented eloquence whereas Zola and Flaubert joyfully received boos and whistles..
To this end, they introduced us to the most eccentric emissaries: a fallen nobleman, a witty bandit, a flowery lady, family puppets, a cross-dressed maiden, a murderous Medici, a Gascon poet, a drunken laundress, and a mediocre bourgeois...
To their authors’ dismay, these improbable heroes did not all achieve instant success but nonetheless became essential figures in our collective imagination.
This week, Edition-Originale highlights an inscribed copy beautifully capturing the grand theatrical adventure of the most ambitious and most unfortunate aspiring playwright: Honoré de Balzac.