Marcel CARNÉ
"Rarement, en effet, je n'ai senti, comme ce jour-là, un tel esprit de solidarité, une telle estime affectueuse..."
Signed autograph letter addressed to Carlo Rim
s. l. 27 juin 1966|21 x 27 cm|une feuille
Autograph letter signed by Marcel Carné addressed to Carlo Rim, 25 lines in blue ink, thanking him for the speech he delivered concerning notably the work of Marcel Carné but also the laws governing the cinema milieu.
Marcel Carné praises the clairvoyance and moral elevation of Carlo Rim's speech: "... indépendamment des éloges, trop flatteurs, que vous avez bien voulu me décerner, j'ai admiré son courage tranquille, sa fermeté dans sa concision et, par-dessus tout, son grand désir que les lois régissant la profession accordent, enfin, à chacun ce que devrait logiquement leur valeur leur travail..." ["... independently of the praise, too flattering, that you were kind enough to bestow upon me, I admired its quiet courage, its firmness in its concision and, above all, its great desire that the laws governing the profession finally grant to each what their worth and their work should logically earn them..."]
The director of "Quai des brumes" and "Les Enfants du paradis" equally appreciates this salutary corporatism that Carlo Rim demonstrated during his address: " Quelqu'un a parlé de "chaleur humaine", je crois que c'est le mot qui convenait. Rarement, en effet, je n'ai senti, comme ce jour-là, un tel esprit de solidarité, une telle estime affectueuse. Bref, un tel soutien moral. Je vous remercie encore une fois d'y avoir contribué pour une très large part. Amicalement et vôtre. Marcel Carné." ["Someone spoke of 'human warmth', I believe that was the right word. Rarely, indeed, have I felt, as I did that day, such a spirit of solidarity, such affectionate esteem. In short, such moral support. I thank you once again for having contributed to it in very large part. Cordially yours. Marcel Carné."]
Central folds inherent to postal folding, Carlo Rim added Marcel Carné's name in green ink in the upper left corner of the letter.
Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker: "Justin de Marseille", "L'armoire volante", "La maison Bonnadieu", and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
Marcel Carné praises the clairvoyance and moral elevation of Carlo Rim's speech: "... indépendamment des éloges, trop flatteurs, que vous avez bien voulu me décerner, j'ai admiré son courage tranquille, sa fermeté dans sa concision et, par-dessus tout, son grand désir que les lois régissant la profession accordent, enfin, à chacun ce que devrait logiquement leur valeur leur travail..." ["... independently of the praise, too flattering, that you were kind enough to bestow upon me, I admired its quiet courage, its firmness in its concision and, above all, its great desire that the laws governing the profession finally grant to each what their worth and their work should logically earn them..."]
The director of "Quai des brumes" and "Les Enfants du paradis" equally appreciates this salutary corporatism that Carlo Rim demonstrated during his address: " Quelqu'un a parlé de "chaleur humaine", je crois que c'est le mot qui convenait. Rarement, en effet, je n'ai senti, comme ce jour-là, un tel esprit de solidarité, une telle estime affectueuse. Bref, un tel soutien moral. Je vous remercie encore une fois d'y avoir contribué pour une très large part. Amicalement et vôtre. Marcel Carné." ["Someone spoke of 'human warmth', I believe that was the right word. Rarely, indeed, have I felt, as I did that day, such a spirit of solidarity, such affectionate esteem. In short, such moral support. I thank you once again for having contributed to it in very large part. Cordially yours. Marcel Carné."]
Central folds inherent to postal folding, Carlo Rim added Marcel Carné's name in green ink in the upper left corner of the letter.
Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker: "Justin de Marseille", "L'armoire volante", "La maison Bonnadieu", and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary.
€500