Handwritten manuscript signed by the choreographer Maurice Béjart.
10 leaves written in blue pen. Handwritten pagination.
Maurice Béjart's handwritten proofs for his book Béjart-theâtre: A-6-Roc (éditions Plume, 1992), about his play A-6-Roc, first performed in the same year at the Vidy theatre in Lausanne.
After the foundation of “Béjart Ballet Lausanne” and his definitive departure from Belgium in 1987, Béjart continues to stage operas, produce films and publish several books (novel, memories, personal diary...). In addition, he wrote and directed his third play A-6-Roc performed in Lausanne in 1992, which he published...
Letter typed and signed from André Malraux to Maurice Béjart. One leaf headed by the Ministre d'Etat chargé des Affaires Culturelles (Ministry of Culture), bearing a stamp from 29 January 1969.
André Malraux hopes to place choreographer Maurice Béjart in charge of the Ballet de l'Opéra in Paris.
Magnificent and unpublished handwritten letter signed by Fernand Léger about American jazz and colours, addressed to Gaston Criel, author of a pioneering essay on “Swing.”
The painter looks back on his exile in the United States from 1940 to 1945, talks about Louis Armstrong and of his captivating discovery of experimental jazz in New York, in the company of the Afro-American painters of the Harlem Renaissance.
29 lines in black ink, written on one leaf.
The hand-written letter is presented under a half forest green morocco chemise, green paper boards with a stylised motif, endpapers lined with green lamb, slip case lined with...
Significant letter written by René Magritte to André Bosmans, dated 9 January 1965 and signed with his initials. 35 lines in black ink on one leaf with the heading “René Magritte 97, rue des Mimosas, Bruxelles 3 Téléphone 15.07.30”. Several words crossed out and passages underlined.
Published in the Lettres à André Bosmans 1958-1967, Seghers I. Brachot, 1990, pp. 407-408
A letter that is both comical and of great philosophical depth, in which the Surrealist painter René Magritte tackles the question of the imagination and inspiration. In it there is a very pertinent analysis of the issues of aesthetics and of modern thinking, while the painter...
