Jean LEPAUTRE
Veue grottes et fontaines de jardins à l'italienne inventez et gravez par I. le Pautre
Chez Pierre Mariette|Paris 1650 (S.d.)|20.50 x 31 cm|relié
First printing of this numbered etching suite from 1 (frontispiece) to 7. Plate numbered 2 is not found after number 1, the following plate bearing number 3. The collection preserved at the Madrid Library (Biblioteca historica Marques de Valdocilla) also records 6 engravings for this work without our possessing details concerning these 6 plates drawn and engraved by Lepautre. Absent from the electronic catalogues of the Bibliothèque Nationale de France.
20th-century half vellum binding using reused material. Unlettered spine. 18th-century style marbled paper on boards. Engravings mounted on tabs. 2 brown stains in the margins of the frontispiece, with soiled margins. Plate 7 contains numerous small yellowish stains in the margins. Only plates 5 and 7 contain in the lower margin: Le Pautre fecit et P. Mariette excud.
French draughtsman and engraver (1618-1682), he is renowned for his qualities as an ornamentalist. He remained marked in his style by his first trip to Italy in the company of his master Philippon, whose engraver he became upon his return from Italy for Curieuses Recherches de plusieurs beaux morceaux d'ornements antiques et modernes tant dans la ville de Rome que autres lieux d'Italie. His work was collected and published by Jombert from 1741 under the general title of oeuvres d'architecture de Jean Lepautre. His varied and dense style, of great richness of invention within a rigorous framework, had a great influence on the 18th century.
20th-century half vellum binding using reused material. Unlettered spine. 18th-century style marbled paper on boards. Engravings mounted on tabs. 2 brown stains in the margins of the frontispiece, with soiled margins. Plate 7 contains numerous small yellowish stains in the margins. Only plates 5 and 7 contain in the lower margin: Le Pautre fecit et P. Mariette excud.
French draughtsman and engraver (1618-1682), he is renowned for his qualities as an ornamentalist. He remained marked in his style by his first trip to Italy in the company of his master Philippon, whose engraver he became upon his return from Italy for Curieuses Recherches de plusieurs beaux morceaux d'ornements antiques et modernes tant dans la ville de Rome que autres lieux d'Italie. His work was collected and published by Jombert from 1741 under the general title of oeuvres d'architecture de Jean Lepautre. His varied and dense style, of great richness of invention within a rigorous framework, had a great influence on the 18th century.
€500