Very rare first edition illustrated with 40 lithographs (cf. Colas 1581, Mayfair, Algeria, 751, Tailliart, 1001, *Iconographie de l'Algérie*).
A few minor spots of foxing; the front free endpaper is slightly creased at the margin, not affecting the text.
The 40 plates, printed on 37 leaves, are arranged as follows: 37 black lithographs including one plan and one folding map (plates 11–12, [37–38], and [39–40] are printed on single leaves).
Among the rarest and most beautiful illustrated albums devoted to Algeria, this edition comprises 40 lithographic plates printed in black across 37 leaves. The map of the Regency of Algiers and the views of Algiers and Constantine, being in a larger format, each count as two. So rare is this album that even Esquer, author of the monumental *Iconographie de l'Algérie*, was only able to consult a copy containing 35 plates.
Contemporary binding in half green Russia morocco, flat spine with blind double fillets, marbled paper-covered boards with some light spotting, green vellum corners slightly rubbed.
Lithographed by Simon fils after drawings by Robert Jungmann, the plates depict costumes and views of Algeria. The author, who presents himself as a Polish refugee, explains in the preface that he served for nearly four years in the Armée d’Afrique and that the purpose of his work is "to provide a short but accurate account of Algiers and its surroundings, a region that is increasingly drawing our interest".
The text is divided into four chapters: Geographical overview; historical notes; costumes, manners and customs of the native populations, their methods of warfare, etc.; and the state of industry, commerce, arts and sciences. It includes precise descriptive information on Algiers, Blida, Médéa, Oran, Tlemcen, and Constantine, as well as commentary on history, climate, agriculture, and colonization. The illustrations include a map of the Regency of Algiers with hand-colored outlines also showing a large part of the Regency of Tunis; a portrait of Hussein Pasha, the last Dey of Algiers; picturesque views (View of Algiers, viewpoint near Mustapha Pacha in Algiers, partial view of Algiers' main square, Bab-el-Oued gate, marabout of Sidi-Yakoub, a fountain near Algiers, views of Constantine and Bône); and plates depicting inhabitants in traditional dress: Arab horsemen, Bedouins, Moorish women, Kabyles, Kouloughlis, Jewish men and women of Algiers, marabouts, Algerian corsairs, Zouaves, etc.