Antonio Maria SPELTA
La sage folie de Spelte. Poëte & historiographe du roy d'Espagne. Traduite d'italien en françois par Louys Garon. [Première partie: La sage folie, fontaine d'allegresse, mere des plaisirs, reyne des belles humeurs : pour la defense des personnes Ioviales, à la confusion des archisages & protomaistres... Seconde partie : La delectable folie, support des capricieux, soulas des fantasques , nourriture des Bigearres : pour l'utilité des cerveaux faibles, & retenuë des boutadeux]
Chez Claude Larjot.|à Lyon 1628|9 x 15 cm|deux parties reliées en un volume
First French edition. The first edition of the Italian text dates from 1607. Illustrated with two allegorical frontispieces signed Gr. Huret. Uncommon edition. One copy at the Bibliothèque Nationale de France from 1628, and another at the British Library. Nothing in French and English union catalogues.
Contemporary full vellum binding with overlapping edges. Smooth spine with manuscript title partly illegible. Traces of ties. Scattered pale foxing.
Antonio Maria Spelta (1559-1632) was a writer, scholar and historian from Padua, and it was while recalling Erasmus's Praise of Folly that he wrote this collection composed partly of reflections on madness, and partly on various subjects ranging from astrologers to hunters, including historical anecdotes. The first part tends more towards an eulogy of folly, despite the ever-present satire, while the second part presents a tableau of men and professions prey to madness, whimsy and vanity. Spelta's alert and biting pen perfectly captures the portrait of folly in its every guise. A singular work.
Contemporary full vellum binding with overlapping edges. Smooth spine with manuscript title partly illegible. Traces of ties. Scattered pale foxing.
Antonio Maria Spelta (1559-1632) was a writer, scholar and historian from Padua, and it was while recalling Erasmus's Praise of Folly that he wrote this collection composed partly of reflections on madness, and partly on various subjects ranging from astrologers to hunters, including historical anecdotes. The first part tends more towards an eulogy of folly, despite the ever-present satire, while the second part presents a tableau of men and professions prey to madness, whimsy and vanity. Spelta's alert and biting pen perfectly captures the portrait of folly in its every guise. A singular work.
€700