Henry FIELDING
Tom Jones ou l'enfant trouvé
Chez Nyon • Bauche|à Londres [London] • & se vend à Paris 1767|10 x 16.50 cm|4 volumes reliés
Fourth edition statement, after the French original published in 1750; illustrated with a frontispiece and 15 figures by Gravelot by Avéline, Chedel, Fessard and Pasquier. "Charming illustration from Gravelot's best period". Cohen. Translation and adaptation by De La Place.
Full brown glazed granulated calf binding. Smooth spine decorated. Red morocco title-label, black wax volume labels. Red edges. Rubbing, particularly to volume labels, with loss of gilding to volume 1. One corner cut to volume 1. Dampstain trace along upper joint of volume IV. Some scattered foxing, particularly on first leaves of volume 1 and title page of volume III.
The History of Tom Jones, a Foundling is unquestionably one of the great masterpieces of English literature. It establishes the English picaresque genre with a brilliant mixture of various genres: the novel of manners, the sentimental novel, and a satirical prose typically English found in Swift. Fielding had previously written Joseph Andrews, a sort of satire of the fashionable sentimental novel, Richardson's Pamela, and The History of Jonathan Wild, already two masterstrokes, and with Tom Jones he created a multiple, profound work, though always in the same vein as Joseph Andrews; its influence would be great in France, and enduring in England, reaching Thomas Hardy and George Eliot. The echoes of this so English style would find great resonance in Dickens.
Full brown glazed granulated calf binding. Smooth spine decorated. Red morocco title-label, black wax volume labels. Red edges. Rubbing, particularly to volume labels, with loss of gilding to volume 1. One corner cut to volume 1. Dampstain trace along upper joint of volume IV. Some scattered foxing, particularly on first leaves of volume 1 and title page of volume III.
The History of Tom Jones, a Foundling is unquestionably one of the great masterpieces of English literature. It establishes the English picaresque genre with a brilliant mixture of various genres: the novel of manners, the sentimental novel, and a satirical prose typically English found in Swift. Fielding had previously written Joseph Andrews, a sort of satire of the fashionable sentimental novel, Richardson's Pamela, and The History of Jonathan Wild, already two masterstrokes, and with Tom Jones he created a multiple, profound work, though always in the same vein as Joseph Andrews; its influence would be great in France, and enduring in England, reaching Thomas Hardy and George Eliot. The echoes of this so English style would find great resonance in Dickens.
€500