Original edition of one of the three instructional booklets for learning Cantonese published by Cowles, this one intended for the Chinese instructor.
No copy recorded in the CCFr.
A scarce and handsome copy, sewn in the Oriental manner.
Rare first edition of this complete set gathering the three parts of this practical Cantonese manual, accompanied by one of the instructional booklets intended for the Chinese teacher.
The first two volumes are each illustrated with eight plates of ideograms printed hors texte. No copies recorded in the CCFr.
The third volume shows staining at the foot of the spine, a few small spots of foxing, and minor marginal tears with slight losses to the boards of the first volume.
A very uncommon set.
First edition, one of the rare numbered copies printed on red papier bouffant, the only deluxe issue alongside 5 copies on Hollande.
Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.
Illustrated with a "portrait de crotte de bique et couillandouille par eux-mêmes" [portrait of goat-dropping and dick-and-drumstick by themselves.]
Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the personal copy of painter Theo van Doesburg, with his autograph signature. In 1917, Doesburg had co-founded the renowned De Stijl neoplasticist movement with Piet Mondrian.
Doesbourg had joined the Dada movement in 1921, and also became one of its theorists. As Marguerite Tuijn notes, “Van Doesburg was deeply impressed by Pansaers. This artist was one of the few Belgian Dadaists, a mysterious figure and a quintessential poète maudit. In early 1920, he also arrived in Paris, where he created a small number of Dadaist works. Among others, he wrote *Le Pan-Pan au cul du nu nègre* (1919) and *Bar Nicanor* (1920). In April 1921, he left the Dada movement. He died at the end of October 1922.” (Theo van Doesburg. A New Expression of Life, Art and Technology, Palais des Beaux-Arts, Brussels, 26 February – 29 May 2016, p. 72).
One of the most desirable copies of this "PAN-DADA" masterpiece, in Pansaers' own words.
First edition of the French translation, illustrated with a frontispiece portrait of Iwakura Tomomi.
Contemporary binding in navy blue long-grain half morocco, flat spine decorated with gilt fillets and blind-stamped fleurons, red morocco lettering-piece running lengthwise, green cloth boards, minor fading and rubbing to covers, original blank wrappers preserved; modern binding.
Iwakura Tomomi (1825–1883) was a prominent figure of the Meiji era, whose influence played a key role in Japan's transformation.
Some handwritten annotations in ink and pencil on a pastedown, and an inscription in ink reading "Trautz (?) Kyoto. Jan 1935" on the endpaper.
Inscribed and signed by Leonardus Johannes Antonius van de Polder to Doctor Kniper, dated December 1922.
Bookplate of R.A. Scoales pasted on a pastedown.
New edition, the most comprehensive to date, illustrated with 300 engravings, several maps, and followed by 18 appendices (cf. Cordier, Japonica, 694).
The original edition was published in 1899.
Contemporary half havana sheep binding, corners tipped with the same, smooth spine sunned and rubbed, decorated with blind fillets and floral tools, blind-tooled garland framing the bordeaux cloth boards, black paper endpapers and pastedowns, marbled edges.
Some minor foxing mainly affecting the endpapers, otherwise a clean and well-preserved copy.
Our copy lacks the atlas of 11 maps, which was not ready in time for printing, as stated on a slip mounted on the first endpapers ("Par suite d'un accident imprévu, la gravure et l'impression des cartes géographiques n'ont pu être terminées en temps voulu. Elles seront envoyées à part dès qu'elles auront paru").
Jacques-Edmond-Joseph Papinot (1860–1942) was ordained in 1886 and sent to Japan three months later. He taught at the Tokyo Theological Seminary for fifteen years and returned permanently to France in 1911.
Provenance: from the library of the Barante family, with a printed ex-libris label mounted on the pastedown.
