Reims (Marne)

First edition of this catalogue for the exhibition "Chili espoir" held from April 16 to June 26, 1977, at the André Malraux Cultural Center in Reims.
Among the artists exhibited: Roberto Antonio Sébastian Matta, Enrique Zanartu, Miguel Anibal, German Aretztizabal, Camilo Condor, Pilar Dominguez, Magali Meneses, Carlo Ortuzar, Ana Tejeros, Fernando Urrejola
Handsome and rare copy complete with its folding chronological chart at the end of the catalogue.
Preface by Jacques Lassaigne and preamble by Claude Varage.
Text by Carlos Maldonado "Peinture chilienne de la résistance".
We include 4 photographs from the exhibition:

First edition, one of 40 numbered copies on Arches vellum, deluxe copy
A handsome and rare copy.
Preface by Jean-Denis Bredin.

The rare first edition, of which there were no deluxe copies.
Light discoloration to left margin of rear cover which has also affected the final endpaper.
Handsome illustrated cover by Vibert, with frontispiece portrait of the author by Diriks etched by Gorvel.
Rare.

The rare first edition.
Light clear dampstains to covers marginally and slightly dusty, handsome interior condition.

First edition printed in 1500 copies.
Handsome copy.
Autograph inscription signed by Claude Aveline to his friend the Provençal writer, caricaturist and filmmaker Carlo Rim who was notably a friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob: "A toi Carlo, qu'un interview vient de me rendre dans toute sa forme, pour le plaisir de te donnerle bo,jour d'un vieux fantôme (toujours ton aîné) et d'un festival à un autre - ce que nous voilà devenus... - Claude Aveline l'Ile-Aux-Moines octobre 1983. 12 rue théophraste Renaudot 75015 Paris." ["To you Carlo, whom an interview has just restored to me in all his form, for the pleasure of giving you greetings from an old ghost (still your elder) and from one festival to another - what we have become... - Claude Aveline l'Ile-Aux-Moines October 1983. 12 rue théophraste Renaudot 75015 Paris."]

First edition by Cazin. Translation by Philippe Florent de Puisieux, preferable to the free adaptation by Madame Riccoboni.
Contemporary full red morocco binding. Smooth spine decorated with 3 compartmented fleurons, roulette at head and tail. Title and volume labels in garnet morocco. Triple fillet frame on boards. Gilt edges. Signs of rubbing, notably on three upper boards in small areas. Slight lack of leather on lower board of volume II. 2 lower corners slightly bumped.
Very handsome copy, rare in this condition, bound in 5 volumes.
Third of Fielding's great novels which revolutionized English literature and left its mark until the end of the 19th century, Amelia appeared in 1751 in London. Fielding was only 45 years old but had only 3 years left to live. Among his three great novels, The Adventures of Joseph Andrews, Tom Jones and Amelia, Fielding expressed his preference for the latter. In the literary correspondence of Grimm and Diderot we read this judgment on Amelia: "M. Fielding is a very original author, great painter, always true and sometimes as sublime as Molière." Amelia is a novel of revolutionary realism for its time,

Complete collection of 24 issues and 18 fascicules of this literary review animated by numerous poets.
Contributions by Paul Fort, Léon Vérane, Paul Jamot, Gaston Foubert, Germaine Lepage, René Duart, René Maublanc, Mercutio, Roger Vailland, Vincent Muselli, Georges Delaw, Touny-Léris, Paul Neveux, Max Buffenoir, Adolphe Willette, A.M. Gossez, Marcel Sézanne, Emile Sedeyn, Roger Lecomte, Théotime...
Illustrations by Georges Delaw, Auguste Lepère, André-Edouard Marty, Adolphe Willette, Léon Bellot, Maurice Louvet, Edmond Chauvet, Eugène Bourgouin, Robert Coutin, Claude Renard, Pierre Subtil, Denise Hubrecht-Petitjean,
Handsome and rare complete set including issue N°10-11 entirely devoted to French Haïkaï.
We include a visiting card from René Druart on which he has added a few manuscript words as well as an autograph letter signed and dated January 4, 1924 on letterhead of the review "Le Pampre" also by René Druart.

First edition printed 400 copies on laid.
Autograph dedication signed by René Druart to Mr. Boisseau.
Preface by Paul Fort.
Mute back insolated, small bites on the boards.
Rare.

Second edition and first published by Cazin, with two volumes added; a first edition in 4 volumes was published in Geneva in 1782. Musical scores at the end of volumes. Only volumes 5 and 6 contain no musical score, the songs being sung to airs already noted in the other volumes, which are identified by the air numbers. 48pp. of musical scores in volume 1; 48pp. in volume 2; 38 in volume 3; 40 in volume 4.

Later brown half-sheep binding (1800). Smooth spine decorated with three fleurons and fillets. Red morocco title-label with roulettes. Red morocco volume label in a roundel. Marbled paper boards. Rubbing to headcaps and joints. Corners slightly bumped.

New revised and expanded edition, with only one copy recorded in OCLC (Bibliothèque universitaire, Toulouse).

Title vignette featuring the printer’s mark with a golden griffin, numerous decorative initials and woodcut headpieces throughout.

Full limp vellum binding, spine titled in manuscript, a few minor scuffs and stains to covers, traces of former ties, upper portion of th spine-end damaged.

A handsome copy of this authoritative work on the coronation ceremony of the Kings of France by Guillaume Marlot, Grand Prior of the Abbey of Saint-Nicaise in Reims and historian of the city.

New edition of this offprint from 'La revue de Champagne et de Brie' published with an introduction and notes by H. Jadart, one of 100 copies, the only issue.
Handsome and rare copy, slight marginal tears of no consequence to covers.

First edition printed in only 50 copies of this offprint from the proceedings of the Académie de Reims.
Rare.

First edition.
Autograph inscription from Armand Bourgeois to Paul Eudel who enriched the last page of text with a handwritten note about a work by André Chénier.
Some minor foxing of no consequence, otherwise a handsome copy.

First edition, one of 101 numbered copies, the only large paper copies.