"En un mot, c'est un long ruban d'humanité, ni meilleure ni pire, qui se déroule tout le long du berceau même du seul et vrai grand Paris de l'art et de l'histoire"

« Blanchot mit longtemps au défi photographes et caricaturistes de la presse littéraire. Minimalistes et rarissimes, sur tant d'années, sont les esquisses d'illustrations : en 1962 dans L'Express, une main brandit un livre, sur fond de page ; en 1979, dans Libération, un carré vierge au milieu de la page, portant pour toute légende le nom de Maurice Blanchot et une citation de l'Entretien infini (« un vide d'univers : rien qui fut visible, rien qui fut invisible ») » (C. Bident, Maurice Blanchot).

In a dialogue from Lost Illusions, Honoré de Balzac gives "information that will not be out of place in a work whose material existence is due as much to paper as to the press"

The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together – for the first time – the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on…

Very rare and sought-after first edition of one of the most important autobiographical works in the history of French literature, masterpiece and major work by George Sand.

Original photograph, vintage print , representing Ernest Hemingway surrounded by a crew of seven men hoisting an imposing marlin they have just caught.
Precious autograph written from Peru and dated May 1956 signed Ernest Hemingway Adolphe Lévèque (1902-1975), bartender leader of the liner Ile-de-France : "Everyone works. Ernest Hemingway. Peru May 1956 » .