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Johannes STRADANUS (inventor) & Claes Jansz VISSCHER (attribué à)

In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle

S.n., s.l. [Hollande] (Circa 1600), 33x27,5cm (cuvettes: 26,5x21cm), une feuille.

Original etching done with chisels by Claes Jansz Visscher says Piscator after a painting of the sixteenth century Johannes Stradanus.Epreuve on watermarked laid paper, working from the early seventeenth siècle.Il is an illustration of a passage from the Acts of the Apostles 16.12-14: "From there to Philippi, which is the chief city of part of Macedonia, and a colony We spent a few days in this city on the Sabbath day we went.. , out of the gate to the riverside, where we supposed there was a place of prayer. We sat down and spoke to the women who had come together. One of them, named Lydia, a seller of purple, of the city of Thyatira, was a woman who fears God and she listened. The Lord opened her heart, that she attended to what Paul was saying.. "Legend in Latin in the lower part of the artists in gravure.Signatures the planche.Mention numbered "27" in the lower right corner in the handwritten gravure.Mention "160" in the upper right margin of the planche.Une old handwritten annotation in Greek characters cuvette.Filigrane the angle of Visible crown by transparence.Très rare and discrete marginal foxing, a skillful restoration using a small piece of transparent Filmoplast back, otherwise nice condition for this extremely rare engraving and large fraîcheur.Johannes Stradanus said Giovanni Stradano or Jan van der Straet is a Flemish painter and engraver, born in Bruges in 1523 and died in Florence on February 11 1605 After I started to learn painting from his father, and after the death of the latter, he studied in the studio of Frank Maximiliaan (from 1535-1537) and then in that of Pieter Aertsen in Antwerp (from 1537 to 1540). In 1545, it is a free master in the Antwerp painters' guild. He begins a journey across Europe: in France, then in Italy, where he lived first in Venice, before settling in Florence. He worked for Cosimo I de 'Medici and working with Giorgio Vasari for the decoration of the Studiolo of Francesco I de' Medici, and the hall of Clement VII of the Palazzo Vecchio. In 1565, he was part of teams of painters and sculptors responsible, under the direction of Giorgio Vasari, to realize the gigantic stage for the entry in Florence Joan of Austria [1], on the occasion of her marriage François I de 'Medici. Greatly influenced by the mannerist, including Michelangelo, Johannes Stradanus contributes to the development of the great history painting to the Italian. He painted several altarpieces for Florentine churches. He also traveled to Rome from 1550 to 1553 and in Naples 1576.Après stay in Antwerp in 1578, he devoted much of his time to engraving. --- Please note that the translation in english is done automatically, we apologize if the formulas are inaccurate. Contact us for any information!

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