Librairie Le Feu Follet - Paris - +33 (0)1 56 08 08 85 - Contact us - 31 Rue Henri Barbusse, 75005 Paris

Antique books - Bibliophily - Art works


Sell - Valuation - Buy
Les Partenaires du feu follet Ilab : International League of Antiquarian Booksellers SLAM : Syndicat national de la Librairie Ancienne et Moderne
Advanced search
Registration

Sale conditions


Payment methods :

Secure payment (SSL)
Checks
Bank transfer
Administrative order
(FRANCE)
(Museums and libraries)


Delivery options and times

Sale conditions

Signed book, First edition

[Nicolas de STAEL] Portrait photographique original de Nicolas de Staël contemplatif et signé par Denise Colomb

[Nicolas de STAEL]

Denise COLOMB

Portrait photographique original de Nicolas de Staël contemplatif et signé par Denise Colomb

Paris 1990, photographie : 18x26,5cm ; feuille : 23,9x30,3cm, une feuille.


Original portrait of Nicolas de Staël signed by Denise Colomb

Silver pint portrait of Nicolas de Staël by Denise Colomb. Later print made by the photographer in the 1990s from her 1954 negatives.
Signed by Denise Colomb in the lower right-hand corner. On the back:
"N. D. S. 1954" with a signed inscription by Denise Colomb to photographer Serge Tamagnot: "Pour mon cher ami Serge/ Le roi des collages. Denise Colomb 7-5-2000 Bon anniversaire à Serge, je penserai à toi le 9 mai" (For my friend Serge/The king of collages. Denise Colomb 7-5-2000 Happy birthday Serge, I'll be thinking of you on May 9). 
An exceptional picture of the painter, eyes lost in the distance, in his Parisian atelier rue Gauguet one year before his death. Sitting in front of one of his works, we see the piling up of the painter's canvases in the room behind him.
The photograph was taken by Denise Colomb, great portraitist of the 20th century, known for her portraits of Antonin Artaud, Giacometti, Picasso, Soulages and Miro in their studio.  
“It is said that his workshop was the cave of a palaeontological potter. With sediment, layers of paleo... A crucible, a large material well, riddled with pigments, paintbrushes, pots of plastered trowels, buckets, rags. In a strong smell of turpentine. A workshop covered, soiled, stained with dirt, with masonry clay. Its wingspan, its strength, its topsail height springs into this crater of Vesuvius. Slightly disoriented, he leans, he pours. To paint, for him, is to be prey to vertigo, to unpredictable, accidental, chance junctions. (Patrick Grainville, Les Yeux de Milos). 

1 800 €

Réf : 83624

Order

Book